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FIRST ENCOUNTERS

A BOOK OF MEMORABLE MEETINGS

These full-color drawings by Edward coupled with brief narrative texts by Nancy have been culled from the Atlantic. Among the most entertaining encounters is the chance meeting in an elevator between Orson Welles and William Randolph Hearst around the time Citizen Kane was released. After Hearst turns down Welles's chutzpah-laden invitation to the premiere, the director taunts him: ``Charles Foster Kane would have accepted.'' In another scenario, some of Al Capone's mugs kidnap musician Fats Waller at gunpoint and make him play for Scarface at a birthday bash. It's the Prohibition era, and the party lasts three days, after which ``Fats has acquired several thousand dollars in cash and a decided taste for vintage champagne.'' Other encounters, like that between Jean-Paul Marat and Charlotte Corday, don't end so happily. There are 65 encounters, and the Sorels make each one entertaining—and a few of them quite moving. (Book-of-the-Month Club selection)

Pub Date: Oct. 13, 1994

ISBN: 0-679-43119-5

Page Count: 144

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1994

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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