A warm story of heritage, and the anxieties and rewards around change.
A young Irish immigrant to the United States adapts her traditions to a new land.
In mid-19th-century Ireland, Jack is a “sly spirit,” a prankster, deterred from entering a house by a carved turnip face lit by a glowing coal placed in the window. Lila and her two younger siblings journey with their Ma to join their Da in an unnamed American city, ca. 1850. The urban landscape is very different from their green fields, and the younger children are anxious about maintaining traditions around Halloween (an Irish festival import). Ma assures Lila that she’ll still “bake colcannon and barmbrack” (though as the recipe at the end confirms, colcannon is not baked). But, alas, there are no turnips to be had. At an open-air market, Lila quickly finds a friend, olive-skinned Julia—and an idea for a turnip substitute. She explains Irish Halloween to Julia, inviting her to participate. Julia explains the edibility of pumpkin seeds (and says that the stringy pumpkin “guts” can be turned into pie, though actually, they can’t). The younger children dress in sheets to scare Jack away (trick-or-treating will develop later). There is no recipe for barmbrack, a sweet Irish tea bread, more complicated than colcannon. The appealingly simple but realistic illustrations, featuring light-skinned, redheaded Lila and her family, are alight with autumnal color and replete with details of tenement life.
A warm story of heritage, and the anxieties and rewards around change. (history, recipe) (Picture book. 4-8)Pub Date: Sept. 7, 2023
ISBN: 9780807566633
Page Count: 32
Publisher: Whitman
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
BOOK REVIEW
BOOK REVIEW
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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