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MARTIN & ANNE

THE KINDRED SPIRITS OF DR. MARTIN LUTHER KING JR. AND ANNE FRANK

A surprisingly successful and enlightening combination strengthened by striking artwork.

The lives and legacies of Dr. Martin Luther King Jr. and Anne Frank are drawn in parallel in this visually appealing picture book.

Born in the same year on different continents, Martin and Anne both faced discrimination from the time they were school aged. Peers who were former friends fell in line with laws and policies made by privileged groups of which they were not a part. “Whites only” signs and “No Jews allowed” signs; a speech competition and a diary; beginning college at 15 and learning about Ghandi, and writing about dreams for a better world—these experiences are illustrated in matching form on opposite sides of each spread. Martin grows up to win the Nobel Peace Prize, and his assassination at age 39 cannot silence his message; Anne’s life comes to an end at 15, but her legacy lives on when her diary is published and becomes a bestseller. While the ending is trite (“Love is stronger than hate. / Kindness can heal the world”), the journey through their lives and the effect of coupling their lasting impact are powerful. The art emphasizes the message of parallel experiences and changing worlds. With natural tones of green and brown and stylized faces and forms, the images don’t fall back on King’s iconic look, creating instead a fresh tapestry of landscapes and humanity.

A surprisingly successful and enlightening combination strengthened by striking artwork. (Picture book/biography. 5-9)

Pub Date: March 5, 2019

ISBN: 978-1-939547-53-8

Page Count: 32

Publisher: Creston

Review Posted Online: Jan. 27, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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HUMMINGBIRD

A sweet and endearing feathered migration.

A relationship between a Latina grandmother and her mixed-race granddaughter serves as the frame to depict the ruby-throated hummingbird migration pattern.

In Granny’s lap, a girl is encouraged to “keep still” as the intergenerational pair awaits the ruby-throated hummingbirds with bowls of water in their hands. But like the granddaughter, the tz’unun—“the word for hummingbird in several [Latin American] languages”—must soon fly north. Over the next several double-page spreads, readers follow the ruby-throated hummingbird’s migration pattern from Central America and Mexico through the United States all the way to Canada. Davies metaphorically reunites the granddaughter and grandmother when “a visitor from Granny’s garden” crosses paths with the girl in New York City. Ray provides delicately hashed lines in the illustrations that bring the hummingbirds’ erratic flight pattern to life as they travel north. The watercolor palette is injected with vibrancy by the addition of gold ink, mirroring the hummingbirds’ flashing feathers in the slants of light. The story is supplemented by notes on different pages with facts about the birds such as their nest size, diet, and flight schedule. In addition, a note about ruby-throated hummingbirds supplies readers with detailed information on how ornithologists study and keep track of these birds.

A sweet and endearing feathered migration. (bibliography, index) (Picture book. 5-8)

Pub Date: May 7, 2019

ISBN: 978-1-5362-0538-1

Page Count: 32

Publisher: Candlewick

Review Posted Online: March 26, 2019

Kirkus Reviews Issue: April 15, 2019

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I AM RUBY BRIDGES

A unique angle on a watershed moment in the civil rights era.

The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.

Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)

A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)

Pub Date: Sept. 6, 2022

ISBN: 978-1-338-75388-2

Page Count: 48

Publisher: Orchard/Scholastic

Review Posted Online: June 21, 2022

Kirkus Reviews Issue: July 15, 2022

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