Next book

THE LORD OF OPIUM

A vividly imagined tale of a future world full of fascinating characters and moral themes—a tremendous backdrop for one...

In the much-anticipated sequel to The House of the Scorpion (2002), 14-year-old Matteo Alacrán returns home as the new Lord of Opium.

Matt was a clone of El Patrón, drug lord of Opium, but with El Patrón dead, Matt is now considered by international law to be fully human and El Patrón’s rightful heir. But it’s a corrupt land, now part of a larger Dope Confederacy carved out of the southeastern United States and northern Mexico, ruled over by drug lords and worked by armies of Illegals turned into “eejits,” or zombies. Matt wants to bring reform: cure the eejits, disband the evil Farm Patrol, uproot the opium, shut down the drug distribution network, plant new crops and, if that’s not enough, heal the planet, since the outside world is in the midst of an ecological disaster. But how can an innocent 14-year-old do all of this and keep warring drug lords at bay? If this volume lacks the mystery and deft plotting of its predecessor (and sometimes feels like an extended epilogue to it), it has an imagined world that will keep readers marveling at the sheer weirdness of it all—the zombies and clones, drug lord Glass Eye Dabengwa, a ghost army, the Mushroom Master, biospheres and a space station.

A vividly imagined tale of a future world full of fascinating characters and moral themes—a tremendous backdrop for one young man’s search for identity. (cast of characters, map, chronology, appendix) (Science fiction. 12 & up)

Pub Date: Sept. 13, 2013

ISBN: 978-1-4424-8254-8

Page Count: 432

Publisher: Richard Jackson/Atheneum

Review Posted Online: April 9, 2013

Kirkus Reviews Issue: July 15, 2013

Next book

IF ONLY I HAD TOLD HER

A heavy read about the harsh realities of tragedy and their effects on those left behind.

In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

Next book

INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

Close Quickview