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THE MONEY MAN

A middling romance that fails its suspenseful setup.

A high-finance dreamboat and a mousy bookkeeper become entangled in a white-collar mystery.

Alice Thurber is known for her thoroughness with numbers, finding comfort in their dependability after having grown up in financial uncertainty. But when she takes a chance on new bookkeeping software, the accounts of several of her clients start coming up short, so Alice takes advantage of a free service for small businesses from KRG Consulting Group. Derek Killion, a co-founder of KRG, is riding high after having secured a large international partnership, but his pet project is their new Small Business Initiative. When Alice comes to him with her problem, he assumes he'll find the solution in a matter of minutes. Instead, Derek is stumped, causing him to work a bit more closely with shy, self-conscious Alice. Soon, they're uncovering the origins of Alice's shady bookkeeping software, with its links to Russian programmers, which feels depressingly close to today's news cycle. Alice is living a Cinderella story: Ever since her parents underestimated her looks and her dreams when she was young, she's been full of self-doubt, which permeates every interaction she has with Derek, plus there are clear class differences between her and her Prince Charming. It quickly becomes pitiable to see Alice view herself in such an overwhelmingly negative light. The romance is fine but stilted due to oddly placed information dumps about people like computer pioneer Ada Lovelace and outdated pop-culture references to American Graffiti and The Music Man. The suspense elements are the most interesting part of the book, given their plausibility, but they feel more carefully thought-out than the characters' actual chemistry.

A middling romance that fails its suspenseful setup.

Pub Date: April 14, 2020

ISBN: 978-1-5420-0016-1

Page Count: 270

Publisher: Montlake Romance

Review Posted Online: March 1, 2020

Kirkus Reviews Issue: March 15, 2020

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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JUST FOR THE SUMMER

A wallowing, emotionally wrenching family drama that leaves little time for romance.

Two people with bad luck in relationships find each other through a popular Reddit thread.

Emma Grant and her best friend, Maddy, are travel nurses, working at hospitals for three-month stints while they see the country. Just a few weeks before they’re set to move to Hawaii, Emma reads a popular “Am I the Asshole” Reddit thread from a Minnesota man who thinks he’s cursed—women he dates find their soulmates after breaking up with him, and the latest one found true love with his best friend! Emma has had a similar experience, which inspires her to DM the man and commiserate. She’s delighted by her witty, lively interactions with software engineer Justin Dahl, and is intrigued when he suggests that if they date each other, maybe they’ll each find their soulmate afterward. Emma upends the Hawaii plan and convinces Maddy to move to Minneapolis for the summer so she can meet Justin in person. The overly complex setup brings Emma and Justin together and the two hit it off, with Justin immediately falling head over heels for Emma. Jimenez then pivots to creating romantic roadblocks and melodramatic subplots centering on each character’s family of origin. Justin’s mother is about to serve six years in prison for embezzlement, which means Justin must move back home to care for his three much younger siblings. Emma was traumatized by her own mother for much of her childhood, left to fend for herself and eventually abandoned in the foster system. When her mother shows up in Minnesota, Emma must face her traumatic childhood and admit that she has prioritized her mother’s well-being over her own. There is little time devoted to Emma’s painful efforts to heal herself enough to accept Justin’s love, which leaves the novel feeling unsatisfying.

A wallowing, emotionally wrenching family drama that leaves little time for romance.

Pub Date: April 2, 2024

ISBN: 9781538704431

Page Count: 432

Publisher: Forever

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 15, 2024

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