An entertaining overview likely to inspire debate.
A spirited examination of the essence of Jewishness.
Acknowledging that Jews “don’t know if we are a religion, a civilization, an ethnic group, a race, all or none of the above,” librarian and journalist Maxwell (Sacred Stacks: The Higher Purpose of Libraries and Librarianship, 2006, etc.) maintains, nevertheless, that Jews share definable traits. Drawing on abundant sources, including the Talmud, Judaic scholars and historians, rabbis, a cadre of friends that make up her own “Jewish Jury,” and assorted figures from popular culture (Woody Allen, Groucho Marx, Jack Benny, and Joan Rivers, among many more), the author brings a lively curiosity to her lighthearted investigation. Describing herself as a “spiritual-but-not-religious Jew” who married a non-Jew and has raised her daughter as a Jew, she feels an “unshakable loyalty” to her Jewish identity and sets out to discover what makes Jewishness distinctive. Worrying, she asserts, is a special Jewish trait, perhaps inspired by ancient disasters (the Ten Plagues, for example) or persecution. Other shared behaviors include taking pride in achievements attained by Jews; an affinity for joining social and charitable groups; and particular food choices, such as cheesecake, bagels and lox, and gefilte fish. Her assertion, though, that Jews have a “unique relationship” with food might surprise “an Italian Catholic momma” whose “religion doesn’t even esteem food as much as mine.” Comedy seems to Maxwell also particularly Jewish. “Over the past forty years,” she writes, “an estimated 80 percent of America’s leading comedians and writers have been Jews.” The search for typical traits leads, not surprisingly, to the stereotypical: Maxwell debunks the derogatory image of a “Jewish nose” but not the notion that Jews talk faster and louder than others. She asserts that verbal sparring results from Jews’ tendency “to trust that with enough talking, arguing, debating, and analyzing, the truth will emerge.” Besides examining traits, Maxwell considers her own apparently uncanny “Jewdar” that enables her to recognize other Jews. Urging Jews to talk about her book with others, she provides a 30-page appendix of hints to structure discussion.
An entertaining overview likely to inspire debate.Pub Date: March 1, 2019
ISBN: 978-0-8276-1302-7
Page Count: 352
Publisher: Jewish Publication Society
Review Posted Online: Dec. 15, 2018
Kirkus Reviews Issue: Jan. 15, 2019
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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