An imaginative, warmhearted, and often enjoyable tale of dangerous escapades.
In Lodge’s (The Crystal Navigator, 2014) latest middle-grade series installment, sixth-graders use high-tech wizardry to investigate a mysterious anomaly within a famous painting.
During a classroom video presentation about the Mona Lisa, Lucy Nightingale, 11, has a strange experience: “Her favorite painting seemed to be exploding before her eyes. Purple clouds swirled through the landscape, lightning ripped the sky, and Lisa was crying. Something horrible was destroying Leonardo’s portrait.” Apparently, only Sam Winter, her 11-year-old supergenius best friend, notices it, too. He diagnoses it as a “Zoom Seizure,” a “ghastly buzzing syndrome” that smashes the molecules of living things. But the painting isn’t alive…is it? The problem is perfect for SLARP—Sam and Lucy’s Anomalies Research Project—which exists to investigate weird phenomena. Luckily, Lucy’s parents have already planned a Paris vacation, which will give her a chance to visit the Louvre and, she hopes, find a way to protect the painting. Sam is tasked with tracking down a folio that may hold some answers, but first, he provides Lucy with a powerful, multifunctional gadget called a Quetzal that, among other things, can unlock any lock. At the Louvre, Lucy is surprised to see her classmate Melissa Blackwood, a frail, quiet girl who can also see the Zoom Seizure. Her efforts to steal the Mona Lisa necessitate a rescue by Lucy and eventually take both girls into the Parisian catacombs and far, far beyond. Lodge offers an intriguing blend of science, mysticism, art history, and adventure in this book. Her characters and dialogue are amusing, but they don’t lose sight of serious matters at stake—a style that’s reminiscent of such classics as Madeleine L’Engle’s A Wrinkle in Time. Some events and characters, such as Wilbur, a “Wise One” in the form of a talking corgi dog, can be confusing; the series’ previous title isn’t mentioned in the front or back matter, so new readers may feel as if they’ve walked into a movie that’s already started. Also, story problems are often overcome by science that slides into anything-goes magic, such as Lucy’s ability to create things with her thoughts.
An imaginative, warmhearted, and often enjoyable tale of dangerous escapades.Pub Date: Oct. 15, 2017
ISBN: 978-0-9960885-6-5
Page Count: 272
Publisher: Wilwahren Press
Review Posted Online: Feb. 23, 2018
Kirkus Reviews Issue: May 1, 2018
Review Program: Kirkus Indie
BOOK REVIEW
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
BOOK REVIEW
BOOK REVIEW
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