HARRY AND THE GUINEA PIG

A new adventure for the little white dog with black spots, rendered “in the styles” of the original series’ author and illustrator.

Opening as usual—“Harry was a white dog with black spots who liked everything…”—the tale finds Harry “not pleased” that a visiting guinea pig is “getting all the attention.” He regains his top-dog status after sneaking into school and (somehow) opening its cage during show-and-tell, then tracking it through the playground, past a shushing librarian, and into the cafeteria, where it is sitting on a table munching veggies. The children’s praise for this “clever detective work” settles Harry’s ruffled fur so he can happily get “back to his old tricks.” After this bland story, readers may well be happy to return to those old tricks as well. Aside from tinting the skin of Harry’s family slightly (they now have peach skin and rosy cheeks but still present White) and introducing some racial diversity to the school’s group scenes Joshaghani’s illustrations don’t add anything fresh or updated either. But this is meant, after all, to be a nostalgia trip. Starting with the cover picture, the figures, furnishings, dress, décor, and even the overall compositions echo Margaret Bloy Graham’s. At least this offers the comfort of familiarity…and the actual author and illustrator get title-page credits (albeit in much smaller type than Graham and Gene Zion). (This book was reviewed digitally with 11-by-17-inch double-page spreads viewed at 77% of actual size.)

A lackluster effort to latch on to a stalwart classic.