by Nancy Marie Brown ‧ RELEASE DATE: Aug. 31, 2021
A fine lesson in Old Norse culture and history.
A stirring reexamination of Viking history through the story of “one warrior woman” of the time.
According to this passionate and well-researched account, Viking men who murdered, looted, burned, and ravaged across Europe were often accompanied by equally murderous women who have been written out of history. Brown, who spends her summers in Iceland, begins with a Viking-age grave in Sweden that was opened in 1878. Aside from the skeleton, it also contained weapons and “the bones of two horses, a stallion and a mare.” Archaeologists labeled it a male warrior’s grave until 2017, when DNA tests proved that the bones were female. Was this an outlier? Scholars had long divided Viking culture along gender lines: Men fought and traded; women cooked, cleaned, and raised the children. A primary symbol for the woman was the key, carried in her belt, while the sword symbolized the man. Brown points out that no evidence supports these beliefs. Keys rarely turn up in female Viking graves. Histories describing the iconic Viking housewife first appeared in the 1860s, representing values from the Victorian age when upper-class women stayed home. Viking-age sagas, on the other hand, teem with warriors of both sexes. Scholars who claim that male heroes were inspired by actual events and dismiss females as fantasy get no support from their sources. With this background, Brown names her Viking Hervor and depicts her upbringing and life as a female warrior, with digressions to describe other warriors as well as female rulers, chieftains, and traders for whom historical evidence exists. The author also offers a heavy dose of Viking mythology and its pugnacious gods. While some readers may squirm at the steady stream of battles, murder, treachery, bloodshed, dragons, and magic, the Norse people loved to hear the tales, and they are undoubtedly entertaining. Giving archaeology and history equal time with folklore, Brown makes a convincing case that Viking women played a prominent public role.
A fine lesson in Old Norse culture and history.Pub Date: Aug. 31, 2021
ISBN: 978-1-250-20084-6
Page Count: 336
Publisher: St. Martin's
Review Posted Online: June 28, 2021
Kirkus Reviews Issue: July 15, 2021
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
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BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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