by Nancy Pearl ‧ RELEASE DATE: Sept. 5, 2017
There’s a fairy-tale quality to the narrative voice and extreme premises of this book that some will find endearing.
He’s a celebrity dentist and a prince of a guy; she’s a damaged, brilliant young woman obsessed with someone she dated in college. Can their marriage be saved?
Lizzie Bultmann, the protagonist of celebrity librarian Pearl’s (Book Lust To Go, 2010, etc.) debut novel, is the daughter of a pair of famous behavioral psychologists at the University of Michigan who raised her not as a loved one but as an experimental subject. Partly because she wants them to “wake…up enough to finally see her” for the extremely unhappy person she is, and also because she somehow thinks it will be fun, she embarks on what she calls The Great Game, in which she has sex with all 23 starters of her high school football team, one per week. Originally, she and her best friend were going to each take half, but the other girl was just joking around. Lizzie grimly executes her plan, resulting in a permanent “post-game show” in her head in which voices berate her for “what a terrible person she’d been and always would be.” The next time Lizzie has sex it is with Jack, a boy she falls madly in love with at college; they bond over their mutual admiration for the poetry of A.E. Housman. (Lots of fun literary references in this book, including a shoutout to Julie Hecht.) Two months later, Jack finds out about The Great Game thanks to an article her evil parents have published in Psychology Today. He disappears forthwith. Though Lizzie begins dating and ultimately marries a boy named George Goldrosen, she never stops thinking about Jack and never loves George. George knows she is profoundly depressed and doesn’t really love him, though he doesn’t know about either Jack or The Great Game—in any case, he's so smitten he just doesn’t care. As he’s busy becoming a famous dentist, Lizzie spends her days in the library, looking through phone books trying to find Jack. This doesn’t seem very believable, but neither does the football team thing or the mad scientist parents or even the marriage.
There’s a fairy-tale quality to the narrative voice and extreme premises of this book that some will find endearing.Pub Date: Sept. 5, 2017
ISBN: 978-1-5011-6289-3
Page Count: 288
Publisher: N/A
Review Posted Online: June 19, 2017
Kirkus Reviews Issue: July 1, 2017
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BOOK REVIEW
by Nancy Pearl & Jeff Schwager illustrated by A.E. Kieran
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
by Genki Kawamura ; translated by Eric Selland ‧ RELEASE DATE: March 12, 2019
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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