Yer pirate-lovin’ tender-aged readers will give Pirate Jack a thumbs-up, but they won’t find many surprises, and disability...
A bold, black-bearded pirate gets dressed for the day, describing each item of his pirate garb by color in rollicking, rhyming text.
Jack the pirate awakens at 6 sharp wearing his gray long johns, which serve as both pajamas and the first layer of his costume. He adds a black eye patch (though he appears to have two intact eyeballs), gold earrings, a silver prosthetic hook on one hand, and clothes of many colors on following pages. His outfit includes a brown boot on one leg and a wooden peg on the other. Pirate Jack, who has golden-tan skin, meets his racially diverse “motley crew,” which includes two women pirates. One of the women has a peg leg and the other has a prosthetic hook. As with most children’s books with a pirate theme, these piratical tropes disregard concerns about disability awareness and sensitivity. The rhyming text is spunky and humorous, filled with familiar pirate lingo such as “matey,” “aye, aye,” and “me” and “ye” for “my” and “you.” Computer-generated illustrations use bright, saturated colors and an oversized landscape format with double-page spreads that provide lots of room for amusing details in Jack’s well-furnished stateroom aboard ship. A tiny mouse character with a teeny-tiny eye patch is hidden somewhere within each spread.
Yer pirate-lovin’ tender-aged readers will give Pirate Jack a thumbs-up, but they won’t find many surprises, and disability advocates will find the same old, same old. (Picture book. 3-6)Pub Date: Sept. 25, 2018
ISBN: 978-1-4814-7664-5
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: June 24, 2018
Kirkus Reviews Issue: Aug. 1, 2018
Count on construction die-hards falling in love, but discerning readers would be wise to look elsewhere for their...
Less ambitious than Chris Gall’s widely known Dinotrux (2009) and sequels, this British import systematically relegates each dinosaur/construction-equipment hybrid to its most logical job.
The title figures are introduced as bigger than both diggers and dinosaurs, and rhyming text and two construction-helmeted kids show just what these creatures are capable of. Each diggersaur has a specific job to do and a distinct sound effect. The dozersaurus moves rocks with a “SCRAAAAPE!!!” while the rollersaurus flattens lumps with a cheery “TOOT TOOT!!” Each diggersaur is numbered, with 12 in all, allowing this to be a counting book on the sly. As the diggersaurs (not all of which dig) perform jobs that regular construction equipment can do, albeit on a larger scale, there is no particular reason why any of them should have dinosaurlike looks other than just ’cause. Peppy computer art tries valiantly to attract attention away from the singularly unoriginal text. “Diggersaurs dig with bites so BIG, / each SCOOP creates a crater. // They’re TOUGH and STRONG / with necks so long— / they’re super EXCAVATORS!” Far more interesting are the two human characters, a white girl and a black boy, that flit about the pictures offering commentary and action. Much of the fun of the book can be found in trying to spot them on every two-page spread.
Count on construction die-hards falling in love, but discerning readers would be wise to look elsewhere for their dino/construction kicks. (Picture book. 3-6)Pub Date: April 2, 2019
ISBN: 978-1-9848-4779-9
Page Count: 32
Publisher: Random House
Review Posted Online: Jan. 14, 2019
Kirkus Reviews Issue: Feb. 1, 2019
BOOK REVIEW
BOOK REVIEW
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
SEEN & HEARD
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