Compassionate, well-crafted poems that look unflinchingly at loss, grief, and the tides of history.
This volume of poetry thoughtfully considers national and personal upheavals.
In her latest collection, Richardson includes pieces from her two chapbooks and a full-length collection, An Everyday Thing (2018), alongside new poems, some previously appearing in literary magazines. In the six sections of the work, the author documents her experiences with the ghosts of memory, beginning with her native steel-mill town of Youngstown, Ohio. The Rust Belt is rich ground for poets responding to the ambiguities of a lost industry: In Youngstown, “the sky was a leaden haze, / where the soot was called ‘pay dirt.’ ” The book’s sequence then follows a trajectory through political engagement on behalf of justice, the shootings at Kent State University, the teaching of children with speech difficulties, marriage and family, illness and death, and, finally, homecoming. Richardson’s graceful lines have a striking clarity and discipline. In “Fathers,” the speaker remembers her own absent father and a friend’s abusive one, writing that she “thought this must / be what fathers do. Leave your life / or push you from your body.” In the wake of such absence, daughters anticipate a return, “his pale hands reaching out for you,” seven words that create a haunting, indelible sense of the uncanny. In several poems, the author attends to the voiceless, especially those caught in systems or conditions not of their own making. “The photos speak for themselves,” says the judge in “Kent State Trial, 1975.” But they don’t: “The photos held their tongues.” Work, so often the subject here, suggests a way to transform the past, as in the concluding poem, “Lost.” Lost in the woods and at a dead end, the speaker backtracks, discovering “the intersection where I / went wrong”—the only way to choose a different path.
Compassionate, well-crafted poems that look unflinchingly at loss, grief, and the tides of history.Pub Date: Oct. 25, 2020
ISBN: 978-1-952326-22-6
Page Count: 87
Publisher: Kelsay Books
Review Posted Online: Oct. 27, 2020
Kirkus Reviews Issue: Dec. 15, 2020
Review Program: Kirkus Indie
BOOK REVIEW
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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