A capable account, both critical and admiring, that may win Blackwood new readers.
The unhappy life of a jet-setting socialite and intellectual, sympathetically retold.
Born in 1931 into the wealthy, influential Guinness family in Northern Ireland, Caroline Blackwood was renowned for both her beauty and her intelligence. A familiar figure among the smart sets of London, Paris, and New York, she served as confidante and muse to the likes of Cyril Connolly, Robert Silvers, Roger Bacon, Ned Rorem, and Jonathan Raban—and married (in succession) painter Lucian Freud, composer Israel Citkowitz, and poet Robert Lowell. Although Blackwood’s life was ready grist for gossip columnists, Schoenberger (Long Like a River, 1998, etc.) treats her subject seriously, noting that for all its social and arty swirl, Blackwood’s life came to center on her work, a body of novels and journalism that Schoenberger compares favorably to the work of such contemporaries as John McPhee and Tom Wolfe. And while Blackwood enjoyed the privileges of an aristocratic birth, the fates frowned on her nevertheless, and from very early her life was set on a sorrowful course. Her father was killed in Burma during WWII, her mother abandoned her to nannies and boarding schools, her husbands subjected her to various cruelties, infidelities, and forms of madness, one of her children died young, and reviewers never quite recognized her for the clearly talented (if minor) writer that she was. This bad luck, Schoenberger hazards, contributed to Blackwood’s uncertainty over whether the world “was a godless place or one ruled by a malicious intelligence.” The author does not shy away, however, from an important aspect of the story—namely, that many of Blackwood’s tragedies came from her own seemingly ungovernable self-destructive tendencies (manifested most clearly in lifelong alcoholism and bouts of depression).
A capable account, both critical and admiring, that may win Blackwood new readers.Pub Date: July 3, 2001
ISBN: 0-385-48979-X
Page Count: 400
Publisher: Nan A. Talese
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2001
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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