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WAYNE AND FORD

THE FILMS, THE FRIENDSHIP, AND THE FORGING OF AN AMERICAN HERO

There’s nothing groundbreaking here, but compleatist fans of Wayne and Ford will enjoy revisiting the films discussed.

Biography of the two figures, actor and director, who defined the Western film genre.

John Wayne (1907-1979) started in film, as Schoenberger (English and Creative Writing/Coll. of William and Mary; Dangerous Muse: A Life of Caroline Blackwood, 2001, etc.) observes, as a “mere stagehand.” However, by the time director John Ford (1894-1973) caught up to him, he had already made a few small films as a lead or supporting actor—unsuccessfully, to be sure. Tyrannical and exacting—and, the author posits late in the book, tied up in knots by sexual-identity insecurity—Ford led Wayne to stardom through seven major Westerns, including Stagecoach, The Searchers, and The Man Who Shot Liberty Valance, that are held up today as canonical. Ford’s contributions were many. Apart from the technical aspects of his directorial work, he also had a nuanced sense of storytelling and of the grays between the black and white edges of morality that made his films more interesting than those Wayne made on his own, such as the simple-minded epics The Green Berets and The Alamo, “derailed by his ultrapatriotism,” Schoenberger remarks while enumerating the masculine-virtue qualities Ford helped Wayne express. “No other director and actor created the ideal of the American hero more than Ford and Wayne,” writes the author, going on to illustrate her case with those major films while noting other waypoints in Wayne’s career, such as Mark Rydell’s The Cowboys and Don Siegel’s The Shootist—both films in which Wayne’s character dies, something contemporary audiences didn’t much care for. Allowing that she is “not alone among women” in enjoying Westerns, Schoenberger serves up an intelligently crafted narrative that never runs as deep as it might. For that, readers are better served by Scott Eyman’s John Wayne (2013) and especially Glenn Frankel’s The Searchers (2014), the latter of which covers much of the same ground more compellingly.

There’s nothing groundbreaking here, but compleatist fans of Wayne and Ford will enjoy revisiting the films discussed.

Pub Date: Oct. 24, 2017

ISBN: 978-0-385-53485-7

Page Count: 256

Publisher: Nan A. Talese

Review Posted Online: June 26, 2017

Kirkus Reviews Issue: July 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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