Veering off the fast track of vigilante police thrillers, Rosenberg (Mitigating Circumstances, 1992, etc.) spins a cloying tale of supernatural do-gooding. Wispy, nurturing Toy Johnson, a schoolteacher to ruffian kids in Santa Ana, Calif., champions the underprivileged; she is especially fond of children (the sicker the better), not only because she has the empathy of a martyr, but because she and her wealthy but selfish doctor husband, Stephen, are infertile. Toy went into cardiac arrest once in her youth, so her system is delicate. When she finally leaves her insensitive spouse, the strain prompts another cardiac episode while she is visiting Manhattan. A friend brings her to the hospital, and the perturbed Stephen jets to her bedside, but Toy, feeling much better once conscious, escapes to the streets of New York, where she has a narcoleptic attack. When she awakens in the hospital, she is furious to find that a pacemaker has been installed. She fears the device will prevent her from saving the lives of needy children— you see, during her near-death experiences, Toy has been magically transported to the sides of kids around the country in crises (autism, kidnapping, etc.) from which she rescues them. Nobody believes her, of course: Her husband thinks she is batty, and the police, who have captured Toy on videotape saving a child from a fire, accuse her of arson and kidnapping. The kids she has rescued band together for a courtroom climax in the treacly format of a second-rate made-for-TV movie. Rosenberg, whose strength in past books has been her confrontation of violence and unpleasantness, here goes out of her way to be nice, and the button-pushing righteousness for which she is also known doesn't work in a story that utterly lacks conflict. Her loyal readers will likely jump ship. (Literary Guild featured alternate selection; author tour)
Pub Date: Feb. 2, 1995
ISBN: 0-525-93945-8
Page Count: 272
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1994
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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