An intriguing premise undermined by heavy-handed plot manipulation and shallow people.
A newly appointed family court judge discovers that the male defendant in her first custody case is her secret lover—and that’s only the prologue to this mix of old-fashioned romance and trendy issues like adoption, surrogate parenthood, and obsessive-behavior disorder.
After setting up the major crisis facing Judge Kelly MacLeod, how she’ll avoid presiding over a case involving her lover without dishonoring her role as judge, Thayer (Between Husbands and Friends, 1999) backs up to show how Kelly got herself into this predicament. After Kelly’s father died in Vietnam, she was raised by her mother and her father’s parents, but during Kelly’s senior year in college, her mother, under the sway of her evil second husband, absconded with Kelly’s inheritance. Suddenly destitute, Kelly acted as a surrogate mother to pay her way through law school, holding her newborn daughter just long enough to fall in love with her (and notice a small but crucial-to-the-plot birthmark).Years later, Kelly has become a highly respected lawyer when her mother reenters her life and renews their relationship before dying. On subsequent weekly visits to the cemetery, Kelly encounters an attractive middle-aged man visiting his recently deceased mother’s grave. Although they don’t exchange names at first, we know he is Randall Madison, a doctor whose soon–to-be ex-wife Anne is a rising liberal politician Kelly happens to support. Randall and Anne’s adopted daughter was born of an anonymous surrogate mother (guess who) with Randall’s sperm. Kelly, despite a disposable fiancé, and Randall fall in love while Randall and Anne fight over their daughter. The fact that Anne is an obsessive-compulsive neurotic and a wildly overprotective, occasionally violent mother while Randall is a sweetheart of a dad, his marital infidelity explained as the result of Anne’s disgust for sex, weakens Thayer’s attempts at evenhandedness late in the story—when love and humane justice prevail.
An intriguing premise undermined by heavy-handed plot manipulation and shallow people.Pub Date: Nov. 1, 2001
ISBN: 0-312-27734-2
Page Count: 320
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2001
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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