FORGET ME NOT

Name: FORGET ME NOT
Author: Nancy van Laan
ISBN: 978-0-449-81543-4

by Nancy van Laan ; illustrated by Stephanie Graegin ‧ RELEASE DATE: Aug. 5, 2014

Poignant but not overly sentimental—and actually quite light in some places—this quiet offering opens up a discussion of a...

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A delicate, perceptive look at an elderly loved one with dementia.

Julia’s grandmother’s eyes sparkled like candles on a cake, and she always smelled like lilac and cinnamon whenever they cuddled up close. But lately, “ever so slowly, like a low tide leaving the bay, a change came along.” Julia’s grandma is becoming more and more forgetful. Van Laan gently takes readers through the different stages of dementia, from Grandma forgetting names (“she liked to scramble our names for breakfast instead of eggs”) and then events, forgetting where she parked, mixing things up in the kitchen and repeating herself to eventually wandering outside in a snowstorm and being unable to care for herself. Told from Julia’s perspective, the story is tinged with the little girl’s confusion and worry, but the ultimate tone is one of love and reassurance. Julia knows there is no cure but still hugs her grandma tight every time they visit. A soft palette of warm greens and yellows and the unmistakable blue of forget-me-not flowers blankets readers in a wash of grandmotherly comfort.

Poignant but not overly sentimental—and actually quite light in some places—this quiet offering opens up a discussion of a condition that affects many. (Picture book. 4-8)

Pub Date: Aug. 5, 2014

ISBN: 978-0-449-81543-4

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: June 9, 2014

Kirkus Reviews Issue: July 1, 2014

Categories:

CHILDREN'S SOCIAL THEMES | CHILDREN'S FAMILY | CHILDREN'S HEALTH & DAILY LIVING

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ON THE FIRST DAY OF KINDERGARTEN

by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

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Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

Categories:

CHILDREN'S CONCEPTS | CHILDREN'S SOCIAL THEMES

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ON THE FIRST DAY OF FIRST GRADE
by Tish Rabe ; illustrated by Sarah Jennings

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FIVE LITTLE BUNNIES
by Tish Rabe ; illustrated by Dan Yaccarino

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IMANI'S MOON

by JaNay Brown-Wood ; illustrated by Hazel Mitchell ‧ RELEASE DATE: Oct. 14, 2014

While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...

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Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.

The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.

While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)