A medieval fable of obscure moral import blossoms into a thoughtful, emotionally complex, absorbing drama that stands...
From the author of Uprooted (2015), the splendid Temeraire Napoleonic Wars–and-dragons series, etc., this reworked fairy tale’s opening sentence might well have read Once upon a time in Old Lithuania....
Expanding a recent short story based on “Rumpelstiltskin,” Novik weaves in other elements of Eastern European folklore along with some fine original flourishes. Miryem, the granddaughter of affluent Jewish moneylenders, takes over her incompetent father’s failing business affairs. Channeling anger and frustration into business acumen, she collects the debts that are owed, accepting goods or services as well as coin. In this and other ways, Miryem turns copper and silver into gold. Unfortunately, gold attracts the attention of the Staryk, coldhearted fairies who occasionally intrude into the human world, bringing with them forgetfulness and a breath of winter. One such gives Miryem fairy silver, ordering her to change it into gold. Fairy silver, Miryem finds, is so beautiful that it fetches huge sums in gold, especially when made into jewelry magnificent enough to intrigue the Duke. Miryem slowly grasps that she’s made a bargain with the Staryk: He will make her his queen if she succeeds in spinning a vast pile of silver into gold—and freeze her solid if she fails. She has no wish to marry him but also notices that the Staryk do not particularly value gold in itself—so why do they want such large quantities of it? In spare prose of great clarity Novik weaves in and out of multiple first-person narratives in sometimes-illuminating, sometimes-disconcerting or confusing ways, exploring human and alien social structures and ethnic prejudices, fathers and daughters, damaged relationships and hidden agendas, wringing unexpected consequences from seemingly simple choices.
A medieval fable of obscure moral import blossoms into a thoughtful, emotionally complex, absorbing drama that stands confidently on its own merits.Pub Date: July 10, 2018
ISBN: 978-0-399-18098-9
Page Count: 480
Publisher: Del Rey
Review Posted Online: April 30, 2018
Kirkus Reviews Issue: May 15, 2018
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.
Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.
In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.Pub Date: Feb. 4, 2020
ISBN: 978-0-345-54857-3
Page Count: 592
Publisher: Del Rey/Ballantine
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
BOOK REVIEW
BOOK REVIEW
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