Of the complexities embraced in this intergenerational drama, some are harsh and difficult to relate to, while others are...
Ragen (The Tenth Song, 2010, etc.) sensitively explores the repercussions in an ultra-Orthodox Jewish family when one of its members leaves the fold.
It’s the early 1960s, and though Rose Weiss has seen Marilyn Monroe on the cover of forbidden magazines, she and her younger sister, Pearl, live in the strict world of the ultra-Orthodox in Williamsburg, Brooklyn, where knees and elbows must be covered and where each of them can expect to be married off by the age of 16. Though unable, at first, to articulate it to herself, teenage Rose comes to understand that this is not the life for her. Her self-discovery unfurls alongside a passion for photography but results in a series of heart-wrenching events, which culminate in total estrangement from her family. Rose’s story picks back up 40 years later in a circuitous way, when her college-student daughter, Hannah, is contacted by Pearl’s teenage daughter, Rivka. By now, Rose is a successful and famous photographer, and Rivka, raised ultra-Orthodox, is hellbent on following in her secular footsteps, not knowing that Rose’s pain from being alienated from her roots has never subsided. Where the first section of the novel is a simple story, told in deeply felt detail, the second section explodes in turmoil. Runaway Rivka is like a pinball in New York City, ricocheting impulsively from thorny Hannah’s apartment to Rose’s sanctuarylike dwelling, sowing drama along the way. Without the self-knowledge and direction that Rose had at her age, Rivka is less sympathetic, but her combination of ego and innocence seems fitting for 2007, when her story is set, and her future is every bit as vertiginous. Ragen uses Hannah’s role as a scholar of women’s history to remind readers that Rivka’s quest for freedom is as necessary and important as the plight of any subjugated woman in history, but the effect is didactic. Rose and Rivka are more convincing when they speak for themselves.
Of the complexities embraced in this intergenerational drama, some are harsh and difficult to relate to, while others are universal. The book is unflinching and surprisingly suspenseful.Pub Date: Oct. 15, 2013
ISBN: 978-0-312-57019-4
Page Count: 336
Publisher: St. Martin's
Review Posted Online: Aug. 30, 2013
Kirkus Reviews Issue: Sept. 15, 2013
These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.
Pub Date: Jan. 1, 1942
ISBN: 0060652934
Page Count: 53
Publisher: Macmillan
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: June 15, 1943
Deep schmaltz in the Bible Belt.
Christian-fiction writer Martin (The Dead Don’t Dance, not reviewed) chronicles the personal tragedy of a Georgia heart surgeon.
Five years ago in Atlanta, Reese could not save his beloved wife Emma from heart failure, even though the Harvard-trained surgeon became a physician so that he could find a way to fix his childhood sweetheart’s congenitally faulty ticker. He renounced practicing medicine after her death and now lives in quiet anonymity as a boat mechanic on Lake Burton. Across the lake is Emma’s brother Charlie, who was rendered blind on the same desperate night that Reese fought to revive his wife on their kitchen floor. When Reese helps save the life of a seven-year-old local girl named Annie, who turns out to have irreparable heart damage, he is compassionately drawn into her case. He also grows close to Annie’s attractive Aunt Cindy and gradually comes to recognize that the family needs his expertise as a transplant surgeon. Martin displays some impressive knowledge about medical practice and the workings of the heart, but his Christian message is not exactly subtle. “If anything in this universe reflects the fingerprint of God, it is the human heart,” Reese notes of his medical studies. Emma’s letters (kept in a bank vault) quote Bible verse; Charlie elucidates stories of Jesus’ miracles for young Annie; even the napkins at the local bar, The Well, carry passages from the Gospel of John for the benefit of the biker clientele. Moreover, Martin relentlessly hammers home his sentimentality with nature-specific metaphors involving mating cardinals and crying crickets. (Annie sells crickets as well as lemonade to raise money for her heart surgery.) Reese’s habitual muttering of worldly slogans from Milton and Shakespeare (“I am ashes where once I was fire”) doesn’t much cut the cloying piety, and an over-the-top surgical save leaves the reader feeling positively bruised.
Deep schmaltz in the Bible Belt.Pub Date: April 4, 2006
ISBN: 1-5955-4054-7
Page Count: 320
Publisher: WestBow/Thomas Nelson
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2006
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