Striking use of everyday images and timely themes makes this free verse collection meaningful, memorable, and accessible.
Young People’s Poet Laureate Nye explores childhood, conflict, and connectivity through over 100 of her poems, both new and classic.
In the opening section, “The Holy Land of Childhood,” she draws from her childhood and those of others, often speaking from the child’s perspective, striking notes of loneliness, fear, and playfulness. Writing was her refuge from desperately boring early readers while a school assignment to write from the perspective of a kitchen implement turned her into “a sweet sifter in time.” Sad vignettes of her childhood home sit alongside humorous memories. Personal images of war, displacement, and loss pepper the second section, “The Holy Land That Isn’t,” in which Nye focuses on her Palestinian immigrant father’s loss of his Jerusalem home, crystallized in his longing for the figs of his childhood. In a poem dedicated to the great Israeli poet Yehuda Amichai, she pleads for peace for “every ancient space” and, in another, observes “red poppies sleep beneath / dirt and stones” beside the homes of fearful Arab and Jewish children living only “one mile apart.” The final section, “People Are the Only Holy Land,” stresses similarities between diverse peoples, invoking a vision of a world where “it is only kindness that makes sense anymore.” López's evocative art perfectly captures and enhances the mood of dreaming and yearning. Emotionally resonant and stirring, this is a must-have title.
Striking use of everyday images and timely themes makes this free verse collection meaningful, memorable, and accessible. (afterword, notes on poems) (Poetry. 8-12)Pub Date: Sept. 29, 2020
ISBN: 978-0-06-301345-2
Page Count: 256
Publisher: Greenwillow Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...
A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.
Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.Pub Date: Oct. 15, 1952
ISBN: 978-0-06-026385-0
Page Count: 192
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 14, 2011
Kirkus Reviews Issue: Oct. 1, 1952
PERSPECTIVES
SEEN & HEARD
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...
Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.
Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)Pub Date: Sept. 13, 2016
ISBN: 978-0-545-54061-2
Page Count: 256
Publisher: Scholastic
Review Posted Online: July 1, 2016
Kirkus Reviews Issue: July 15, 2016
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