A smart take on a familiar genre that, when it stumbles, stumbles admirably.
A kidnapping forces a husband to reconsider his life in Sylvester’s debut, a cross between a literary novel and a thriller.
Although Andres and Marabela Jimenez live in a house that’s “enclosed by cement walls and locked gates,” horror manages to invade their lives when Marabela is kidnapped and ransomed at a price too steep for her husband, owner of a printing company, to afford. For help, he brings in a kidnapping expert named Guillermo, who recently negotiated the ransom for Elena, Andres’ childhood sweetheart. But Elena was held captive for 37 days and returned home broken, unable to return to her old life; is this fate in store for Marabela, too? Sylvester sets her novel in Peru in 1992, against a backdrop of political violence and guerrilla warfare. The country’s public turmoil echoes the private turmoil of the Jimenezes, no example of marital bliss even before the kidnapping. One of the appealing aspects of the novel is that it isn’t really about the negotiations at all. Rather, it’s about Andres reconnecting with neglected aspects of his life: Elena, his family and even Marabela. He becomes hopeful about what might happen when his wife returns. Will they put their relationship back together? Sylvester’s novel is one of great promise, even if it doesn’t cohere. Two-thirds of the way through, it changes shape dramatically—a twist that wants to gesture toward larger concerns but makes the remainder of the novel feel like an overlong epilogue. Nevertheless, Sylvester is a fine writer with a knack for crafting situations that externalize the characters’ internal struggles. (For instance, Andres and Guillermo have to invade Marabela’s darkroom—her last bastion of privacy—to set up a headquarters to handle the negotiations.) Sometimes Sylvester’s language stretches too far, as when a dial tone “is empty, just like [Andres] is,” but her ambition to reach beyond the traditional kidnapping thriller into something richer is commendable.
A smart take on a familiar genre that, when it stumbles, stumbles admirably.Pub Date: June 3, 2014
ISBN: 978-0-544-26217-1
Page Count: 304
Publisher: Amazon Publishing/New Harvest
Review Posted Online: June 30, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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