A poignant blend of queer identity and modern horror.
Coming out is never easy, especially for teens in the small Puget Sound town of Port Promise.
Life seems idyllic in Port Promise—it’s the kind of place where everyone knows each other and high school sweethearts expect to be together forever. The biggest news lately is the gender-neutral casting for the senior musical, Grease. When 13-year-old Mallory Hammond, an “angry, unhappy” closeted lesbian, disappeared, the townspeople thought she’d finally run away. But to her friends Fern Jensen and Jaqueline De Luca, something about her disappearance felt off. On the night Mal vanished, Fern and Jaq found themselves on the edge of the woods without any recollection of what had happened. Five years later, at a party in those same woods, Fern and Jaq are flooded with horrifying memories of that night. There’s no denying it: Mal is dead, and whatever happened to her caused Fern and Jaq to forget their own queerness. The two friends must try to come to terms with their own identities and fix whatever happened that night, even at the risk of their own lives. This strong supernatural thriller tackles the very real issues of homophobia, transphobia, and forced conversion head-on. Parker manages to balance serious discussions of identity and bigotry with genuinely spine-tingling horror. Main characters present white.
A poignant blend of queer identity and modern horror. (resources) (Horror. 14-18)Pub Date: Aug. 27, 2024
ISBN: 9780593619391
Page Count: 336
Publisher: Putnam
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging
Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.
The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)Pub Date: Sept. 20, 2016
ISBN: 978-0-316-27349-7
Page Count: 336
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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