THE JANE AUSTEN SOCIETY

In the insular post-World War Two gloom of an English village, seven damaged people soldier on, heartened only by their shared enthusiasm for Jane Austen.

Chawton, the village at the heart of this story, contains the small cottage Austen occupied before her death, and it's also a cauldron of repressed longing and regret worthy of a Victorian novel. James Knight, dying heir of the Knight estate, owns the cottage as well as a stately manor house. The embittered James has altered his will: Upon his death, his only child and caregiver, Frances, a reclusive spinster of 47, will be dispossessed and the estate entailed to the closest male relative. Frances and her father’s lawyer, Andrew, were once in love, but James forced them apart. Adeline, a former schoolteacher, is pregnant and widowed—her husband died in combat in the war’s closing days. Her physician, Dr. Gray, a widower who blames himself for his wife’s accidental death, is too guilt-ridden to act on his attraction to Adeline. After she loses the baby, her Pride and Prejudice–style bantering with Dr. Gray gives way to distrust, and each flirts with morphine addiction. “Sad, silent” Adam, who farms the estate, was introduced to Austen by a visiting American fan, Mimi, a Hollywood star, who, at 35, is about to be put out to pasture by a lecherous studio boss. Evie, compelled by circumstance to forego scholarly ambitions, is a housemaid for the Knights. She’s been secretly cataloging every book in the manor’s vast library and has discovered some potentially priceless Jane Austen artifacts. These lost souls, who have been misjudged by society and/or misjudge themselves, find healing through forming the titular society to preserve the cottage as a museum—as its real-life counterpart is today. More than a passing familiarity with Austen’s work may be a prerequisite to fully appreciating this book—Austen’s characters often seem more real to Jenner’s characters than their own relatives and neighbors. But, thanks to Jenner’s psychologically astute portrayals, the society founders themselves are very real and thoroughly sympathetic.

Readers will root for these characters, wishing them Austen-worthy happy endings.