by Natalie Kinsey-Warnock & illustrated by James Bernardin ‧ RELEASE DATE: May 1, 2002
In a brief episode exploring the theme of challenging gender roles that is loosely based on local history, the devastating flu epidemic of 1918 tests a Vermont child’s resolution to become a country doctor like her father. Resisting her mother’s insistence that it’s no job for a woman, Margaret cajoles her father at last into allowing her to accompany him on house calls. She proves an able assistant—but needs all her skills and stomach later that winter when, on the way to a remote relative’s with her little brother, she comes upon a farmhouse with a nearly dead dog outside, and inside only a small child shivering among the bodies of her stricken family. In a quick final chapter, Margaret grows up to achieve her heart’s desire, and even to see her own little daughter show early signs of continuing the family profession. Kinsey-Warnock (Lumber Camp Library, below, etc.) folds in a subplot involving a beloved uncle who comes back from the war deeply depressed and minus an arm, slips in a snippet about Elizabeth Blackwell for further role-modeling, and closes with a historical note. Young readers will be engrossed, following this plucky but vulnerable child through a time of hardship and widespread tragedy. Illustrations not seen. (Fiction. 9-11)
Pub Date: May 1, 2002
ISBN: 0-06-029319-5
Page Count: 80
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2002
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by Natalie Kinsey-Warnock & illustrated by Mary Azarian
by Candace Fleming ; illustrated by Mark Fearing ‧ RELEASE DATE: Sept. 26, 2017
It’s not the first time old Ben has paid our times a call, but it’s funny and free-spirited, with an informational load that...
Antics both instructive and embarrassing ensue after a mysterious package left on their doorstep brings a Founding Father into the lives of two modern children.
Summoned somehow by what looks for all the world like an old-time crystal radio set, Ben Franklin turns out to be an amiable sort. He is immediately taken in hand by 7-year-old Olive for a tour of modern wonders—early versions of which many, from electrical appliances in the kitchen to the Illinois town’s public library and fire department, he justly lays claim to inventing. Meanwhile big brother Nolan, 10, tags along, frantic to return him to his own era before either their divorced mom or snoopy classmate Tommy Tuttle sees him. Fleming, author of Ben Franklin’s Almanac (2003) (and also, not uncoincidentally considering the final scene of this outing, Our Eleanor, 2005), mixes history with humor as the great man dispenses aphorisms and reminiscences through diverse misadventures, all of which end well, before vanishing at last. Following a closing, sequel-cueing kicker (see above) she then separates facts from fancies in closing notes, with print and online leads to more of the former. To go with spot illustrations of the evidently all-white cast throughout the narrative, Fearing incorporates change-of-pace sets of sequential panels for Franklin’s biographical and scientific anecdotes. Final illustrations not seen.
It’s not the first time old Ben has paid our times a call, but it’s funny and free-spirited, with an informational load that adds flavor without weight. (Graphic/fantasy hybrid. 9-11)Pub Date: Sept. 26, 2017
ISBN: 978-1-101-93406-7
Page Count: 240
Publisher: Schwartz & Wade/Random
Review Posted Online: May 9, 2017
Kirkus Reviews Issue: June 1, 2017
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by Candace Fleming ; illustrated by Deena So'Oteh
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by Candace Fleming ; illustrated by Eric Rohmann
by Sallie Ketcham ‧ RELEASE DATE: March 1, 1999
PLB 0-531-33140-7 Ketcham’s first book is based on an allegedly true story of a childhood incident in the life of Johann Sebastian Bach. It starts with a couple of pages regaling the Bach home and all the Johanns in the family, who made their fame through music. After his father’s death, Johann Sebastian goes to live with his brother, Johann Christoph, where he boasts that he is the best organist in the world. Johann Christoph contradicts him: “Old Adam Reincken is the best.” So Johann Sebastian sets out to hear the master himself. In fact, he is humbled to tears, but there is hope that he will be the world’s best organist one day. Johann Sebastian emerges as little more than a brat, Reincken as more of a suggestion than a character. Bush’s illustrations are most transporting when offering details of the landscape, but his protagonist is too impish to give the story much authority. (Picture book. 5-9)
Pub Date: March 1, 1999
ISBN: 0-531-30140-0
Page Count: 32
Publisher: Orchard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1999
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