Too much dead calm, not nearly enough storm.
Three outcast teens come together when a tornado stirs up literal and figurative ghosts in their small Midwestern town.
In 1961, a tornado touched down at a drive-in movie in Mercer, Illinois, killing almost all of the town’s teenage population. Half a century later, that loss still haunts Mercer’s residents, and when another tornado strikes the same location, the current batch of teens are especially rattled. There have always been rumors that those killed in the old tragedy remain in Mercer as Storm Spirits, and three misfit high school students think they might be starting to receive the spirits’ messages. Joshua, who feels invisible at school due to his weight and sexuality, teams up with Brenna, whose contentious relationships with her family and a toxic ex-boyfriend compound the loneliness she feels as a Latina in a predominantly white community, and Callie, who has slid into an eating disorder as her mother’s terminal illness progresses. The three share alternating point-of-view narration interspersed with a Greek chorus of the Storm Spirits’ collective voices. Joshua, Brenna, and Callie are all sympathetic characters, but their slow-burn story is smothered under the weight of ponderous, self-serious narration. An incest survivor is deeply othered. All three teens’ “Very Special Issues” are too tidily swept away when their drawn-out conclusion finally arrives. What starts as a delicate ghost story ultimately collapses under its own slow weight.
Too much dead calm, not nearly enough storm. (Paranormal. 12-18)Pub Date: Sept. 3, 2019
ISBN: 978-0-525-51800-6
Page Count: 464
Publisher: Philomel
Review Posted Online: June 22, 2019
Kirkus Reviews Issue: July 15, 2019
BOOK REVIEW
BOOK REVIEW
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging
Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.
The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)Pub Date: Sept. 20, 2016
ISBN: 978-0-316-27349-7
Page Count: 336
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
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