Useful information and important insight delivered in mediocre verse and via gender stereotype
A bossypants bee learns a lesson about the value of the contributions of others.
Little Spider loves almost everything about her garden home—but the “bizzz, buzzz, boss-boss-boss” of the worker bee as she makes her rounds is, frankly, a buzzkill. Fulfilling the “bossy female” stereotype, Bossy Bee lords it over the rest of the garden creatures, explaining the importance of her job as a pollen collector and distributor to the worm, the ladybug, and the lizard. With keen understanding of the psychology of a narcissist, Little Spider asks Bossy Bee for advice—and then quickly traps her in her web. Unable to move, Bossy Bee can only watch as the worm, the ladybug, and the lizard perform their essential tasks: The worm enriches the soil; the ladybug eats aphids; the lizard eats slugs. Chastened, Bossy Bee declares, “Oh, Spider, I promise to stop being bossy. / I’ve learned a lesson today. / I’ll respect other creatures and value their jobs. / We should work as a team every day!” It’s a valuable lesson even though it’s imparted in earnest doggerel (all the creatures speak in rhyme). Tolland’s painterly illustrations emphasize the lushness of the garden, sometimes at the expense of clarity of composition—with so many bright colors to look at, it’s hard for the eye to focus.
Useful information and important insight delivered in mediocre verse and via gender stereotype . (Picture book. 3-6)Pub Date: March 1, 2019
ISBN: 978-1-76036-056-6
Page Count: 36
Publisher: Starfish Bay
Review Posted Online: Jan. 27, 2019
Kirkus Reviews Issue: Feb. 15, 2019
BOOK REVIEW
A sweet, tender and charming experience to read aloud or together.
A clueless duckling tries to make a new friend.
He is confused by this peculiar-looking duck, who has a long tail, doesn’t waddle and likes to be alone. No matter how explicitly the creature denies he is a duck and announces that he is a cat, the duckling refuses to acknowledge the facts. When this creature expresses complete lack of interest in playing puddle stomp, the little ducking goes off and plays on his own. But the cat is not without remorse for rejecting an offered friendship. Of course it all ends happily, with the two new friends enjoying each other’s company. Bramsen employs brief sentences and the simplest of rhymes to tell this slight tale. The two heroes are meticulously drawn with endearing, expressive faces and body language, and their feathers and fur appear textured and touchable. Even the detailed tree bark and grass seem three-dimensional. There are single- and double-page spreads, panels surrounded by white space and circular and oval frames, all in a variety of eye-pleasing juxtapositions. While the initial appeal is solidly visual, young readers will get the gentle message that friendship is not something to take for granted but is to be embraced with open arms—or paws and webbed feet.
A sweet, tender and charming experience to read aloud or together. (Picture book. 3-6)Pub Date: Jan. 22, 2013
ISBN: 978-0-375-86990-7
Page Count: 40
Publisher: Random House
Review Posted Online: Nov. 13, 2012
Kirkus Reviews Issue: Dec. 1, 2012
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
SEEN & HEARD
SEEN & HEARD
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