The teacher-friendly theme of cooperation and emotive characters suggest a good fit for all settings.
When Holiday, a triangular blue chap in a party hat, arrives, ready to take Monday’s place, the seven days react.
Yellow, square Monday, accustomed to kicking off each week, is firm: “While I do appreciate your offer, the other days and I have everything under control.” As Holiday unpacks anyway, peacemaker Tuesday demurs: “this Holiday seems kind of fun. Perhaps we could just see what happens….” Sociable Thursday introduces Holiday to the others, enthusiastically touting Friday’s weekly party. Saturday and Sunday, who “usually sleep all week,” show up in bedroom slippers. While Monday remains dismayed, the others marvel at celebratory cake and balloons. When Holiday announces he’d like to stay longer by usurping additional days’ spots, though, there’s new pushback from Wednesday and Friday. Regretting the conflict, Holiday contritely vows to leave. Tuesday offers a nifty compromise: Could Holiday return in a month or so? Even Monday sees the appeal of an occasional break. All ends well, with a nap for Monday through Sunday. Nelson’s digital collages use simple shapes, generalized facial features, and accessories for the armless, apparently arbitrarily shaped characters. Text is delivered mainly in dialogue bubbles. While the mini-drama nicely anchors the story, there’s no apparent significance to Holiday’s visit beyond a routine-disrupting excuse for a party.
(This book releases first as a digital edition, with print release currently scheduled for Aug. 4, 2020.)
The teacher-friendly theme of cooperation and emotive characters suggest a good fit for all settings. (Picture book. 3-7)Pub Date: May 1, 2020
ISBN: 978-1-77306-200-6
Page Count: 32
Publisher: Groundwood
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property.
Since a reformed Grinch is hardly any fun, this follow-up Grinches him up once more.
Those seeking more of the same, prepare to receive precisely that. Christmas is coming (again!), and the Grinch can hardly wait. He’s been patient all year, and now he can finally show the Whos down in Who-ville how much he’s changed. When the Grinch learns of a tree-decorating contest, he figures that if he wins, it’ll prove he truly has the Christmas spirit. He throws himself into the task, but when it comes time to judge the trees, the Grinch is horrified to discover that he’s received only the second-place trophy. Can Cindy-Lou Who find the words to save the day? Replicating many of the original beats and wordplay of the original, this tale feels like less a sequel and more like a vaguely rewritten variation. Meanwhile, Ruiz’s art seeks to bridge the gap between the animated Chuck Jones version of the Grinch and the one depicted in the original book. This thankless task results in a strange uncanny valley between Seuss and Jones but does allow the artist a chance to colorize everything and lend some racial diversity to the Who population (Cindy-Lou is light-skinned). (This book was reviewed digitally.)
It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property. (Picture book. 3-6)Pub Date: Sept. 5, 2023
ISBN: 9780593563168
Page Count: 40
Publisher: Random House
Review Posted Online: Aug. 15, 2023
Kirkus Reviews Issue: Sept. 1, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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