by Natalie Y. Moore and Lance Williams ‧ RELEASE DATE: Feb. 1, 2011
A powerful exposé of disturbing realities underlying enduringly misunderstood urban legends.
Evenhanded account of a legendary Chicago street gang.
Chicago Public Radio reporter Moore (co-author: Deconstructing Tyrone: A New Look at Black Masculinity in the Hip-Hop Generation, 2006) and Williams (Sociology/Northeastern Illinois Univ.) began this collaboration “out of sheer curiosity” about the storied Blackstone Rangers, which evolved into the titular “nation” and then the Islamist El Rukns. Scant history existed of the gang, which began in the 1960s in the impoverished Woodlawn neighborhood. By the ’80s, they were pursued by authorities for conspiring with Libya to commit terrorism. The authors create a valuable panorama of urban decline, demonstrating how the well-intentioned “Great Society” programs of the ’60s were replaced by punitive policies that both demonized and isolated African-American males. The narrative revolves around Rangers co-founder Jeff Fort, a fascinatingly contradictory individual described as compassionate, ruthless and shrewd. Early on, his innovation was to work with older criminals while insisting that all other South Side youth gangs form an allegiance with the Rangers. While the group expanded, they benefited from alliances with well-intentioned churches and the social services spurred by Lyndon Johnson’s “War on Poverty.” Predictably, this enraged the Chicago police and the FBI, who by 1968 were convinced the Rangers would be the armed vanguard of revolutionary terrorism. When Fort was released from federal prison in 1976, he took his gang in an unexpected direction. Developing an interest in the Moorish Temple of Science movement, he renamed the group “El Rukns.” However, they remained involved in drug dealing, and law enforcement remained predictably hostile, leading to Fort’s notorious terror indictment (and a life sentence). Although documentation of the gang’s audacious criminal brutality remains blurry, this is a well-executed narrative that clarifies little-understood elements of both the War on Terror and the violence and isolation still haunting black America.
A powerful exposé of disturbing realities underlying enduringly misunderstood urban legends.Pub Date: Feb. 1, 2011
ISBN: 978-1-55652-845-3
Page Count: 272
Publisher: Lawrence Hill Books/Chicago Review
Review Posted Online: Dec. 2, 2010
Kirkus Reviews Issue: Dec. 1, 2010
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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