Tuna has a plan—many, in fact—but despite her heart’s being in the right place, each is noticeably worse than the last and guaranteed to lead to unwelcome shenanigans.
As an aspiring screenwriter who’s proud of her heritage, Altuna “Tuna” Kashmir Rashad sees the world in terms of story structures and superstitions, often to the frustration of her friends and tightknit multiracial Caribbean American family. So whether it’s her intention to manufacture a real-life love story for herself the summer before college or plotting to get her older brother, Robby, back on the market via an online dating profile he knows nothing about, sometimes Tuna’s focus on plot beats and divine signs makes her oblivious to the feelings of others. Her family is still mourning the sudden and tragic death of Robby’s husband; Robby’s emotional needs, however, are inexplicable to Tuna. Regardless of explicit guidance from her parents to be more supportive and her best friend’s opinion that she may be a bit insensitive if not delusional, she believes he needs to move on and make a fresh start. In this, Tuna is a frustrating protagonist to root for, just as her stodgy wordplay and semispiritual quirks may not be every reader’s cup of tea, but as tensions boil over with her brother and her love interest, the transition from hijinks-laden scheming to emotionally earnest and thoughtful is worthwhile.
Genuine growth is hard to script but easy to find here.
(Fiction. 13-18)