A brainy, fast-moving thriller about memory and identity.
Tasked with investigating a young woman who has forgotten her identity, a man uncovers connections to a secret society.
“Tycoon’s son in brawl,” reads the caption accompanying a photo of Jack Simonetti’s latest escapade. Young, handsome, idle and dependent on his father Leon’s wealth, Jack has no recourse when ordered from New York to London to help out Leon’s old friend Daniel Barone, whose ward, Jenilee, disappeared and lost her memory. Found after more than two years (and now calling herself Eloise Blake), she wants nothing to do with her well-appointed old life; instead, she prefers the dangerous game of living by her wits and practicing “free running,” or parcours. Also a parcoursist, Jack is enjoined by Barone to win Eloise’s trust and convince her to return home. Eloise is suspicious: She’s tormented by hallucinations, half-memories and obsessively remembered numbers, but after Jack saves her life, she accepts his aid. As the two investigate, they uncover links to a secret scientific/mystical society, the Order of Mnemosyne, whose members included Daniel, Leon and Eloise’s mother. The Order ran hubristic experiments that seem connected to Eloise’s current memory problems—but someone wants these memories to remain forgotten, putting her in danger. South African novelist Mostert (Season of the Witch, 2013, etc.) brings together fascinating strands of biology, psychology and mysticism, with astute observations on memory, the past, identity and love. The well-described parcours scenes nicely capture the sport’s dynamic flow—a perfect fit for Eloise’s live-in-the-moment ethos: “Never slow down. If a movement doesn’t work out, don’t agonise over the recovery; just move your body forward. Movement is life. That was what parkour was all about.” Jack’s development from self-centered rich kid to self-sacrificing lover is believably handled, paralleling his growing respect for Eloise’s right and ability to make her own decisions. Mostert skillfully ups the ante with suspenseful episodes of danger leading to a climactic rooftop scene.
A brainy, fast-moving thriller about memory and identity.Pub Date: Oct. 16, 2014
ISBN: 978-1909965201
Page Count: 296
Publisher: Portable Magic Ltd
Review Posted Online: Nov. 5, 2014
Kirkus Reviews Issue: Jan. 1, 2015
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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