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THE MEMORY PALACE

TRUE SHORT STORIES OF THE PAST

DiMeo’s illumination of small wonders edifies and entertains.

A collector of “true short stories” parades a caravan of curiosities.

In mining “the space between the story of our lives and those lives as we live them,” DiMeo plays magician, conjuring the enchantments that reside in the subtle and unseen, often moment to moment. They come to him as some random fact or anecdote that finds a purchase in his imagination and are processed as stories. DiMeo, a former radio personality and artist in residence at the Metropolitan Museum of Art, is creator and host of The Memory Palace podcast and co-author of Pawnee: The Greatest Town in America. His first solo book engages deeply with history, locating new ways of perceiving lives familiar or obscure: how Samuel Morse invested 35 years learning to be a painter before tragedy compelled him to invent the code that bears his name; the legacy of Elizabeth Van Lew, aka Crazy Bet, a clever Southern iconoclast who spied for the Union in the Civil War; the strange history of Egypt’s Temple of Dendur; the rebuke to today’s anti-immigration forces embodied by the Jewish refugee ship St. Louis in World War II; the story of 19th-century farm wife turned artist Caroline Shawk Brooks, who sculpted masterworks in butter; and the inspiring career of Olympic runner Betty Robinson. Often DiMeo can only draw inferences from the facts at hand, but he is on surest footing when drawing on stories from his past, among the collection’s most fluid and emotionally resonant. The book’s anecdotal structure is reminiscent of, but superior to, the late Paul Harvey’s The Rest of the Story (1977), with its characteristic surprise or ironic endings. Although some of the writing can be pedestrian, there are flashes of eloquence and style. Stylistics, however, are beside the point.

DiMeo’s illumination of small wonders edifies and entertains.

Pub Date: Nov. 19, 2024

ISBN: 9780593446157

Page Count: 336

Publisher: Random House

Review Posted Online: Sept. 27, 2024

Kirkus Reviews Issue: Nov. 1, 2024

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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  • Kirkus Reviews'
    Best Books Of 2017


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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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