No one wants a dry hip-hop book, and Patrin’s work is thoroughly engaging from first needle drop to last.
A thorough and occasionally raucous history of hip-hop’s boundless sonic dimensions.
It’s difficult to think of another book that devotes this degree of research, thought, and passion to the sonic elements of hip-hop, from the pioneers who scrambled to assemble their booming sound systems for raucous parties in 1970s New York to contemporary moguls who earn riches unfathomable to their musical ancestors. The book is about sampling, but it encompasses so much more. Patrin organizes his study around four seminal figures: Grandmaster Flash, who turned the act of scratching into an art form; Prince Paul, the postmodern prankster who brought ingenious levity and a collage master’s imagination to the genre; Dr. Dre., the ambivalent gangsta rap soundscaper whose biggest enemy may be his own perfectionism; and Madlib, “the underground experimentalist and record-collector antiquarian who constantly broke the rules of what the mainstream expected of hip-hop.” Along the way, the author provides lessons in what sampling means to both its most daring practitioners and its aesthetically conservative naysayers. It’s clear where Patrin’s sympathies and interest lie: This is the work of someone who sees sampling as not just an art form, but also a jumping-off point for discussion about art and entertainment in the postindustrial age. Repurposing is the name of the game, and the artists featured here have figured out a multitude of ways to practice their craft. In their own way, they’re not just musicians; they are also anthropologists, historians, and alchemists. “If sample-based hip-hop has one particular irony,” writes the author, “it’s that it often relies on manipulating the music of the past, and in ways that could only be accomplished by the state-of-the-art technology of the present.” If that sounds heady, know that the text is also compulsively readable. The subject is sampling, but the narrative is as much cultural history as audio exploration. One of Kirkus and Rolling Stone’s Best Music Books of 2020.
No one wants a dry hip-hop book, and Patrin’s work is thoroughly engaging from first needle drop to last.Pub Date: April 28, 2020
ISBN: 978-1-5179-0628-3
Page Count: 336
Publisher: Univ. of Minnesota
Review Posted Online: Oct. 15, 2020
PERSPECTIVES
PERSPECTIVES
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A slick, vacuous glimpse into the former first lady’s White House years.
A carefully curated personal portrait.
First ladies’ roles have evolved significantly in recent decades. Their memoirs typically reflect a spectrum of ambition and interests, offering insights into their values and personal lives. Melania Trump, however, stands out as exceptionally private and elusive. Her ultra-lean account attempts to shed light on her public duties, initiatives, and causes as first lady, and it defends certain actions like her controversial “I REALLY DON’T CARE, DO U?” jacket. The statement was directed at the media, not the border situation, she claims. Yet the book provides scant detail about her personal orbit or day-to-day interactions. The memoir opens with her well-known Slovenian origin story, successful modeling career, and whirlwind romance with Donald Trump, culminating in their 2005 marriage, followed by a snapshot of Election Day 2016: “Each time we were together that day, I was impressed by his calm.…This man is remarkably confident under pressure.” Once in the White House, Melania Trump describes her functions and numerous public events at home and abroad, which she asserts were more accomplished than media representations suggested. However, she rarely shares any personal interactions beyond close family ties, notably her affection for her son, Barron, and her sister, Ines. And of course she lavishes praise on her husband. Minimal anecdotes about White House or cabinet staff are included, and she carefully defuses her rumored tensions with Trump’s adult children, blandly stating, “While we may share the same last name, each of us is distinct with our own aspirations and paths to follow.” Although Melania’s desire to support causes related to children’s and women’s welfare feels authentic, the overall tenor of her memoir seems aimed at painting a glimmering portrait of her husband and her role, likely with an eye toward the forthcoming election.
A slick, vacuous glimpse into the former first lady’s White House years.Pub Date: Oct. 8, 2024
ISBN: 9781510782693
Page Count: 256
Publisher: Skyhorse Publishing
Review Posted Online: Oct. 14, 2024
Kirkus Reviews Issue: Dec. 1, 2024
PERSPECTIVES
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