Frightfully funny.
In their second collaborative parody, Walton and Hale join forces under the pen name of “Ludworst Bemonster” to create a comic tale combining elements of the Frankenstein story, “The Night Before Christmas” and the classic Madeline.
Twelve young monsters live in an old Victorian house with their guardian, Miss Devel, a mad-scientist sort with a white lab coat and safety goggles. On Christmas Eve, Santa attempts to deliver presents to the little monsters. Due to the deteriorating nature of the old mansion, Santa and the reindeer fall through the roof, and out of his sack come raining new heads for all the monsters but young Frankenstein. He tells Santa that he would like to learn to fly as his gift, so all the monsters pile into the sleigh for a trip to the North Pole. The text loosely follows the structure of “The Night Before Christmas” with an occasional line from Madeline. (“Something’s not right!”) There’s lots of humor: monsters switching heads and wetting beds, a Christmas tree decorated with snakes and bones, and plenty of pratfalls and crashes. Echoing the style of Bemelmans, most illustrations use a limited palette of gray and lime-green with splashes of red for Santa and his sleigh. Children do not have to be familiar with Madeline or even Frankenstein to get the humor; slapstick comedy needs little introduction.
Frightfully funny. (Picture book. 4-8)Pub Date: Oct. 14, 2014
ISBN: 978-0-312-55367-8
Page Count: 40
Publisher: Feiwel & Friends
Review Posted Online: Aug. 11, 2014
Kirkus Reviews Issue: Sept. 1, 2014
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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SEEN & HEARD
SEEN & HEARD
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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