Mabel has moxie, but she deserves a better story. As Mabel herself might say, “Send for the script doctor, darlings.”...
A pampered French bulldog experiences a sudden decline in her eyesight, affecting her mobility and perceptions of potential threats.
Little Mabel established her opulent lifestyle and divalike demeanor in her previous self-narrated story, Naughty Mabel (2015). In this sequel, Mabel’s eyesight mysteriously goes haywire, and she runs into walls, mistakes a bowl of potpourri for her dogfood dish, and begins to experience double vision. The meandering, overlong text describes how Mabel’s eye problems worsen at night, when she perceives large shapes as monsters about to attack her. On a sleepover with friends, she smashes dinosaur skeletons and, back in her own home, beats a gigantic armchair with her pink baseball bat, leading to a trip to the eye doctor for an exam. (Another dog owner there is a black woman; Mabel’s owners and her next-door neighbor are white.) Mabel tries on different kinds of “very attractive” glasses, but her owners choose contact lenses as “more practical for an active girl.” Mabel’s sassy attitude and over-the-top antics have a slapstick appeal, but several of the jokes in her witty dialogue are way over the heads of young readers, who likely won’t be familiar with potpourri, couscous, Martha Stewart, or black-and-white movies starring Bette Davis. The final gag depends on readers having a fairly sophisticated, well-developed sense of irony—debatable for the younger end of the audience range. Clever, cartoon-style illustrations and a supersized format provide visual heft for Mabel’s narrative but can’t compensate for the weaknesses of the text.
Mabel has moxie, but she deserves a better story. As Mabel herself might say, “Send for the script doctor, darlings.” (Picture book. 4-8)Pub Date: Oct. 4, 2016
ISBN: 978-1-4814-3024-1
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: June 27, 2016
Kirkus Reviews Issue: July 15, 2016
BOOK REVIEW
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
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