A sharp and satisfying conclusion to one of the most unique hard-boiled arcs in recent memory.
In post-apocalyptic Manhattan, antihero Dewey Decimal comes to the end of the stacks.
This is the final volume in a crisp dystopian crime trilogy by Larson (The Nervous System, 2012, etc.), so new readers are advised to start with The Dewey Decimal System (2011). Our narrator is many things: a black-ops veteran with a particularly gruesome set of combat skills; a slave to the obsessive-compulsive disorder that keeps him popping pills, rubbing on hand sanitizer, and organizing the stacks at the New York Public Library; and one of the most dangerous freelance assets in the city. Our man hasn’t changed in the interim—as the book opens, Dewey has his foot squarely on the throat of a soldier who's been marked for revenge. Dewey is a funny cat—a fiercely intelligent, multilingual man whose cynical, staccato lingo and casual violence belie his true character. “Well, I ask you now, you think I cherish these sorry situations?” he asks. “This lopsided sadism? Think I get jiggy on the misfortune of my fellow travelers? Not so, y’all, not so.” Dewey is still serving as muscle for corrupt Sen. Clarence Howard, who charges his hired gun with disrupting a group of anarchist squatters who are troubling the shadow government he serves. Secondly, Dewey finds himself tasked with protecting a pair of twins, Saudi royalty no less, in order to ensure the continuation of the family bloodline. As he gets closer to the truth about his part in his city’s misfortunes, Dewey also struggles with his own place in this dark metropolis. “Oh, I’m know I’m a monster,” he admits. “The question is, am I just garden variety, like everybody else—like I did what I done to keep kicking? Or, despite my Code, despite my System, do I carry a yawning black abscess where my soul should be, burning with fever, flush with infection?”
A sharp and satisfying conclusion to one of the most unique hard-boiled arcs in recent memory.Pub Date: May 5, 2015
ISBN: 978-1-61775-339-8
Page Count: 288
Publisher: Akashic
Review Posted Online: Feb. 16, 2015
Kirkus Reviews Issue: March 1, 2015
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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