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NEW WORLD COMING

THE 1920S AND THE MAKING OF MODERN AMERICA

Spellbinding account of growing pains in an often-gullible society.

Total immersion in the Jazz Age, viewed through its key personalities.

Flappers, the Model T, F. Scott Fitzgerald, bootleg hooch, and free love all parade by as expected, but historian/biographer Miller (Star Spangled Men, 1998, etc.) zeroes in on the White House, who got elected to it, and why, as crucial in shaping the modern America of the title. First he sketches the dark period leading up to the Roaring ’20s, a time of postwar chaos and turmoil that seems strangely contemporary. (Politicians distracted the nation from labor unrest and racial violence with the massive 1919 Red hunt, during which one man was arrested simply because “he looked like a Bolshevik.”) The election of Republican Warren G. Harding in 1920 was the first in which women could vote, its results the first ever broadcast by radio, and the ensuing creep of corruption by his “Ohio gang” cronies set records of its own, culminating in the Teapot Dome oil-lease scandal. One in three Americans worked on farms in the ’20s, Miller notes, and 44 percent of the population was still counted as rural in 1930. The real story of the decade, he neatly sums up, “is one of constant struggle between city and countryside for the nation’s soul.” Harding’s death in office ushered in “Silent Cal” Coolidge, whose legendary frugality and business-boosting policies (including four rounds of tax cuts that made him a model for then-teenager Ronald Reagan) created a wave of prosperity doomed to crash in the nation’s worst depression. Even Miller’s asides are gemlike, as when he mentions that Rin Tin Tin, leading movie star at mid-decade with his own limo and chauffeur, collapsed during a workout and died in the arms of blonde bombshell Jean Harlow.

Spellbinding account of growing pains in an often-gullible society.

Pub Date: Sept. 1, 2003

ISBN: 0-684-85295-0

Page Count: 448

Publisher: Scribner

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2003

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2017


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  • National Book Award Finalist

Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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