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WOE 1

Well-sketched characters carry a slow-paced but effective start to a potential series.

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In this future-set Christian thriller, experts must decide if alarming global events are signs of an approaching apocalypse.

One day in 2038, barrages of fiery hailstones pummel countries around the world. This freak incident is over quickly, but its impact lasts much longer as the hailstones severely burned anyone and anything they hit. The president of the United States puts together a committee of scientists to try to provide an explanation for the damaging storms. Other terrifying global events follow, including ocean vortexes that take down ships; apparently contaminated water that causes hallucinations and violent episodes; and other natural disasters, including earthquakes. Mike Lathan, who’s studying pastoral ministry in Dallas, and a promising Seattle science student named Rina Adelstein join their respective mentors at experts’ meetings, where some are convinced that there’s a scientific explanation for all that’s happening. Spiritual advisors, however, note similarities between the ongoing events and familiar biblical stories. Mike and others believe that the phenomena are God’s punishment for an amoral world and part of a prophecy foretelling the End of Days. Scott deftly packs a world-spanning tale into a relatively compact novel. Along the way, he zeroes in on the absorbing romance between Mike and Rina; both characters are well-developed, as when Rina faces a personal tragedy back in her hometown of Tel Aviv. Secondary characters receive much less attention, but several brief scenes reveal the devastating events’ worldwide consequences, showcasing specific effects on such places as North Africa, Japan, and Italy: “As Francesco Vincenzo was locking up his private law office, he heard the noise and looked upward toward the gulf to see what appeared to be a black cloud, a very large one, moving rapidly toward the downtown area.” The author weaves an overt but never overwhelming Christian theme into the storyline, which proceeds as a deliberate pace as several rounds of discussions churn out proposals while passing years pile on catastrophes. The book covers just over a decade, and its ending hints at a sequel.

Well-sketched characters carry a slow-paced but effective start to a potential series.

Pub Date: April 4, 2023

ISBN: 9798985687002

Page Count: 224

Publisher: Blesscott Company, LLC

Review Posted Online: March 8, 2023

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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WHAT WE CAN KNOW

A philosophically charged tour de force by one of the best living novelists in English.

A gravely post-apocalyptic tale that blends mystery with the academic novel.

McEwan’s first narrator, Thomas Metcalfe, is one of a vanishing breed, a humanities professor, who on a spring day in 2119, takes a ferry to a mountain hold, the Bodleian Snowdonia Library. The world has been remade by climate change, the subject of a course he teaches, “The Politics and Literature of the Inundation.” Nuclear war has irradiated the planet, while “markets and communities became cellular and self-reliant, as in early medieval times.” Nonetheless, the archipelago that is now Britain has managed to scrape up a little funding for the professor, who is on the trail of a poem, “A Corona for Vivien,” by the eminent poet Francis Blundy. Thanks to the resurrected internet, courtesy of Nigerian scientists, the professor has access to every bit of recorded human knowledge; already overwhelmed by data, scholars “have robbed the past of its privacy.” But McEwan’s great theme is revealed in his book’s title: How do we know what we think we know? Well, says the professor of his quarry, “I know all that they knew—and more, for I know some of their secrets and their futures, and the dates of their deaths.” And yet, and yet: “Corona” has been missing ever since it was read aloud at a small party in 2014, and for reasons that the professor can only guess at, for, as he counsels, “if you want your secrets kept, whisper them into the ear of your dearest, most trusted friend.” And so it is that in Part 2, where Vivien takes over the story as it unfolds a century earlier, a great and utterly unexpected secret is revealed about how the poem came to be and to disappear, lost to history and memory and the coppers.

A philosophically charged tour de force by one of the best living novelists in English.

Pub Date: Sept. 23, 2025

ISBN: 9780593804728

Page Count: 320

Publisher: Knopf

Review Posted Online: May 24, 2025

Kirkus Reviews Issue: July 1, 2025

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