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NINJA BOY GOES TO SCHOOL

A book for those who see school as a prison to be escaped; this is about as strongly anti-school as a picture book gets.

A young ninja shows off some skills for school.

Ninjas are good at silently rising before the sun. They are nimble and strong, with the balance of a flamingo “(but without looking silly)”—though the illustration belies this, as all the kids at the bus stop are laughing. They can be “one with their surroundings.” This last pictures the boy, in ninja black, plastered to the ceiling of the bus. Light on plot, but so far, so good. But then Wilson’s ninja takes a disturbing turn. “A ninja must be still and patient, like a deep-rooted tree….” On the left, Harrison’s vibrantly colored illustration shows the ninja sitting primly in class. But on the right, the text reads, “…and strike with the VIPER’S speed when the time is right for disappearing.” The ninja is now sneaking out the classroom window while the teacher’s back is turned. The verso reveals “A ninja’s spirit is never caged.” Freedom is not long-lived, as the teacher catches up to the ninja on the playground, and the principal sends him home, with seriously angry looks all around. His parents put away his ninja things, but regardless, the boy knows he is a ninja, as his shadow proudly reflects. Other poor examples include the precarious stack he climbs to reach the “ninja stuf” and the gray-haired granny bus driver sporting earbuds.

A book for those who see school as a prison to be escaped; this is about as strongly anti-school as a picture book gets. (Picture book. 5-7)

Pub Date: July 22, 2014

ISBN: 978-0-375-86584-8

Page Count: 32

Publisher: Random House

Review Posted Online: May 18, 2014

Kirkus Reviews Issue: June 1, 2014

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NOT ME!

An early reader that kids will want to befriend.

In an odd-couple pairing of Bear and Chipmunk, only one friend is truly happy to spend the day at the beach.

“Not me!” is poor Chipmunk’s lament each time Bear expresses the pleasure he takes in sunning, swimming, and other activities at the beach. While controlled, repetitive text makes the story accessible to new readers, slapstick humor characterizes the busy watercolor-and-ink illustrations and adds interest. Poor Chipmunk is pinched by a crab, buried in sand, and swept upside down into the water, to name just a few mishaps. Although other animal beachgoers seem to notice Chipmunk’s distress, Bear cheerily goes about his day and seems blithely ignorant of his friend’s misfortunes. The playful tone of the illustrations helps soften the dynamic so that it doesn’t seem as though Chipmunk is in grave danger or that Bear is cruel. As they leave at the end of the book Bear finally asks, “Why did you come?” and Chipmunk’s sweet response caps off the day with a warm sunset in the background.

An early reader that kids will want to befriend. (Early reader. 5-7)

Pub Date: Feb. 1, 2016

ISBN: 978-0-8234-3546-3

Page Count: 24

Publisher: Holiday House

Review Posted Online: Dec. 7, 2015

Kirkus Reviews Issue: Dec. 15, 2015

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DOLLY PARTON'S BILLY THE KID COMES HOME FOR CHRISTMAS

A holiday outing that doesn’t quite satisfy.

In this follow-up to singer Parton and co-author Perl’s Billy the Kid Makes It Big (2023), literal and figurative bumps in the road imperil the touring canine country star’s promise to be home for Christmas.

Inspired by one of Parton’s holiday songs, the tale sees Billy, a small brown French bulldog, and bandmates Bo, Buster, and Binky boarding a tour bus for “pawsome” glimpses of natural wonders along with meetings with fans and “puparazzi.” Then, although Billy has sent many letters home promising to be there for the holiday, an invitation to play Barkafeller Center on Christmas Day instantly changes his tune. “Billy was happy. Though he still felt a little…he wasn’t sure what.” Readers may be excused for having mixed feelings about his mixed feelings, not to mention his tersely unapologetic note to the folks. But when, thanks to a bus-busting rock in the road on Christmas Eve, it looks like the band will have to contrive their own celebration (“Silent night, howly night”), Billy remembers that he started making music in the first place for his loved ones. He has no problem bagging the big concert (Fans? What fans? Contract? What contract?) when Dolly herself rolls up in her own bus to offer a ride back to his “Tennessee mountain home” in time for a small show for “the most important audience in the world.” While Billy cuts an endearing figure in Haley’s cartoonish illustrations, his willingness to disappoint first family, then fans may have readers feeling less than cheery.

A holiday outing that doesn’t quite satisfy. (lyrics to Parton’s “Comin’ Home for Christmas”) (Picture book. 5-7)

Pub Date: Oct. 1, 2024

ISBN: 9780593755006

Page Count: 40

Publisher: Penguin Workshop

Review Posted Online: Sept. 28, 2024

Kirkus Reviews Issue: Nov. 1, 2024

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