by Neal Bascomb ‧ RELEASE DATE: Sept. 18, 2018
A fine escapade related with proper drama and likely to be news even to well-read young historians.
Allied prisoners of war stage a series of intrepid escapes from German captors in this young readers’ version of a true story from World War I.
Established to hold captured Allied officers with histories of escape attempts, the camp at Holzminden, a “land-locked Alcatraz,” was 150 miles from the Dutch border and bristling with guards. Many of the inmates, though, were stimulated rather than discouraged by these obstacles and, from its foundation, made tries at freedom—most notably on the night of July 23, 1918, when 29 men crawled out through a narrow tunnel dug over the previous months. Only 10 eluded the ensuing manhunt, but the exploit made headlines in Great Britain and was, Bascomb (The Escape Artists, 2018, etc.) claims, “the greatest escape of the Great War.” Along with introducing a cast of colorful characters like RAF Lt. Harold Medlicott, “Britain’s answer to Harry Houdini,” who had already broken out of nine other camps, the author presents a picture of camp life as an oddly civilized affair in which the prisoners were so well-supplied from home that in the war’s immediate aftermath local residents came to them for food. The tales of the digging of the cramped tunnel and of the escape itself make suspenseful reading, enhanced by diagrams and photographs.
A fine escapade related with proper drama and likely to be news even to well-read young historians. (maps, sources, bibliography, index) (Nonfiction. 12-15)Pub Date: Sept. 18, 2018
ISBN: 978-1-338-14034-7
Page Count: 288
Publisher: Levine/Scholastic Focus
Review Posted Online: June 17, 2018
Kirkus Reviews Issue: July 1, 2018
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by Neal Bascomb ; illustrated by Mithil Thaker
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by Neal Bascomb
by Ronald Takaki & adapted by Rebecca Stefoff ‧ RELEASE DATE: Aug. 28, 2012
In either iteration, a provocative counter to conventional, blinkered views of our national story.
A classic framing of this country’s history from a multicultural perspective, clumsily cut and recast into more simplified language for young readers.
Veering away from the standard “Master Narrative” to tell “the story of a nation peopled by the world,” the violence- and injustice-laden account focuses on minorities, from African- Americans (“the central minority throughout our country’s history”), Mexicans and Native Americans to Japanese, Vietnamese, Sikh, Russian Jewish and Muslim immigrants. Stefoff reduces Takaki’s scholarly but fluid narrative (1993, revised 2008) to choppy sentences and sound-bite quotes. She also adds debatable generalizations, such as a sweeping claim that Native Americans “lived outside of white society’s borders,” and an incorrect one that the Emancipation Proclamation “freed the slaves.” Readers may take a stronger interest in their own cultural heritage from this broad picture of the United States as, historically, a tapestry of ethnic identities that are “separate but also shared”—but being more readable and, by page count at least, only about a third longer, the original version won’t be out of reach of much of the intended audience, despite its denser prose.
In either iteration, a provocative counter to conventional, blinkered views of our national story. (endnotes, glossary, index) (Nonfiction. 12-15)Pub Date: Aug. 28, 2012
ISBN: 978-1-60980-416-9
Page Count: 368
Publisher: Seven Stories
Review Posted Online: July 21, 2012
Kirkus Reviews Issue: Aug. 1, 2012
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by Ronald Takaki & adapted by Rebecca Stefoff with Carol Takaki
by Iain C. Martin ‧ RELEASE DATE: June 1, 2013
Thorough to a fault, and for young readers at least, no replacement for Jim Murphy’s oldie but goodie The Long Road to...
Wagonloads of detail weigh down this overstuffed account of the Civil War’s most significant battle and its aftermath.
Martin builds his narrative around numerous eyewitness accounts, despite the implication of the subtitle. He covers events from the rival armies’ preliminary jockeying for position to Lee’s retreat, the heroic efforts to care for the thousands of wounded soldiers left behind, as well as the establishment some months later of the cemetery that was the occasion for Lincoln’s Gettysburg Address. The battle itself, though, quickly becomes a dizzying tally of this regiment going here, that brigade charging there, the movements insufficiently supported by the small, hard-to-read battle maps. Overheated lines like “As the armies met in battle, the ground…soaked up the blood of Americans flowing into the soil” have a melodramatic effect. Moreover, as nearly everyone mentioned even once gets one or more period portraits, the illustrations become a tedious gallery of look-alike shots of scowling men with heavy facial hair. Still, the author does offer a cogent, carefully researched view of the battle and its significance in both the short and long terms.
Thorough to a fault, and for young readers at least, no replacement for Jim Murphy’s oldie but goodie The Long Road to Gettysburg (1992). (glossary, index, bibliography) (Nonfiction. 12-15)Pub Date: June 1, 2013
ISBN: 978-1-62087-532-2
Page Count: 208
Publisher: Sky Pony Press
Review Posted Online: March 26, 2013
Kirkus Reviews Issue: April 15, 2013
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