Despite occasionally clumsy exposition, Higher goes a long way toward doing justice to its fascinating subject.
Bascomb debuts with a lively account of how three great New York City skyscrapers were built at the end of the Roaring Twenties.
The author begins with portraits of two architects, William Van Alen and Craig Severence, former partners who became bitter rivals. Van Alen was the partnership’s creative heart, trained in Paris and imbued with the modernist spirit. Severence was the consummate businessman, constantly networking in search of the next big commission. Breaking up in 1924, just as the skyscraper was becoming the symbol of preeminence in business and the economy seemed to be on an endless upward spiral, the erstwhile friends by 1929 were executing rival commissions to build the tallest building in the world. Severence’s backers were Old Money, with conservative tastes and a building plot at 40 Wall Street, at the center of the financial district. Van Alen’s patron was self-made automobile tycoon Walter Chrysler, willing to spend whatever it took to erect his personal monument at 42nd and Lexington. The two architects openly sought the “world's highest” crown, each altering their designs several times in order to top the other. In the end, Chrysler and Van Alen won. But neither had taken into account the plans of John J. Raskob, who headed a corporation with defeated presidential candidate Al Smith as its spokesman. One of Chrysler’s fiercest rivals, Raskob acquired the Fifth Avenue site of the Waldorf Astoria for a skyscraper destined to become the epitome of its kind: the Empire State Building, completed in 1931. Bascomb puts all three projects vividly in context, giving broad overviews of the times as well as detailed portraits of the men who designed, financed, and constructed the three buildings even as the crash of 1929 took all the sweetness out of their triumphs.
Despite occasionally clumsy exposition, Higher goes a long way toward doing justice to its fascinating subject.Pub Date: Oct. 21, 2003
ISBN: 0-385-50660-0
Page Count: 352
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2003
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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