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WALT DISNEY

THE TRIUMPH OF THE AMERICAN IMAGINATION

Gabler’s remarkable biography lends Mickey’s creator new dimensions and sets the standard for future biographies.

Monumental life of the contradictory impresario who founded a powerful entertainment empire and, for better or worse, “helped establish American popular culture as the dominant culture in the world.”

Forty years after his death, Walt Disney still epitomizes what is right and wrong with American life, depending on who’s making the argument. Film historian Gabler (Life, the Movie, 1998, etc.) shrewdly observes, for instance, that though Disney was notoriously conservative—and casually anti-Semitic and racist—he also forged aspects of the 1960s counterculture’s identity: anti-authoritarianism, connection to nature, “antagonism toward the moneyed class.” Born with “platonic templates in his head,” in Gabler’s memorable formulation, Disney idealized rural life, his template being the little Missouri town in which his father perpetually failed. Walt enshrined that place as an American idyll and ideal in Disneyland, which the author rightly ranks high among the master’s dreams-turned-to-reality. He was like his father, Gabler notes, in never having any business sense; brother and long-suffering partner Roy had the head for commerce. Walt lived a rather bohemian life beholden to no boss and sparked great resentment among his own employees by presenting the Disney studio’s products to the world as if they were single-handedly his. “He’s a genius at using someone else’s genius,” one disgruntled animator griped. For all that, Gabler makes emphatically clear, Disney was indeed a genius at his art: brilliant at drawing, writing and particularly editing, willing to exceed budgets time and again until an animation or a movie was exactly right. Thus Snow White, the 1937 film that put him on the map, was very nearly the Heaven’s Gate of its time in terms of cost overruns, yet once released it would become the highest-grossing film in history and hold that record for many years.

Gabler’s remarkable biography lends Mickey’s creator new dimensions and sets the standard for future biographies.

Pub Date: Nov. 6, 2006

ISBN: 0-679-43822-X

Page Count: 816

Publisher: Knopf

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 15, 2006

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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