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GAME CHANGER

A well-intentioned project whose earnest messages of empathy and equality fall short in execution.

A timely, speculative thought experiment in perspective, privilege, and identity.

Ash Bowman is a White, heterosexual boy who doesn’t think too deeply about the plights of others. That is, until a jarring football injury shifts him into a parallel universe. At first, the changes to Ash’s world are small: Stop signs are blue, not red, for example. Then, with every tackle, Ash transports himself into a new reality, and the changes become much more pronounced. Characters change gender, social class status, sexuality, or even live in a world where racial segregation still exists. These changes in perspective prompt Ash to cultivate a greater sense of empathy and urgency regarding the suffering of others. But as reality becomes increasingly unstable, he must set the world back to rights. Ash is a clever, sincere narrator, and his journey of self-discovery is well-paced with solid twists at nearly every chapter’s end. But the project ultimately attempts to tackle too much, covering abuse, racism, homophobia, misogyny, class privilege, and more; this leads to little time and nuance dedicated to each. Unlike in real life, characters typically possess a single marginalized identity, and the interplay between struggles for progress in different areas is not explored, oversimplifying matters. The joys of queer love are shown, but experiences of being female or Black are largely presented in terms of oppression. Additionally, characters from marginalized populations are generally used for Ash’s own character development.

A well-intentioned project whose earnest messages of empathy and equality fall short in execution. (Science fiction. 14-18)

Pub Date: Feb. 9, 2021

ISBN: 978-0-06-199867-6

Page Count: 400

Publisher: Quill Tree Books/HarperCollins

Review Posted Online: Nov. 23, 2020

Kirkus Reviews Issue: Dec. 15, 2020

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POWERLESS

From the Powerless Trilogy series , Vol. 1

A lackluster and sometimes disturbing mishmash of overused tropes.

The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.

Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.

A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)

Pub Date: Nov. 7, 2023

ISBN: 9798987380406

Page Count: 538

Publisher: Simon & Schuster

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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CARAVAL

From the Caraval series , Vol. 1

Immersive and engaging, despite some flaws, and destined to capture imaginations.

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Magic, mystery, and love intertwine and invite in this newest take on the “enchanted circus” trope.

Sisters raised by their abusive father, a governor of a colonial backwater in a world vaguely reminiscent of the late 18th century, Scarlett and Donatella each long for something more. Scarlett, olive-skinned, dark of hair and attitude, longs for Caraval, the fabled, magical circus helmed by the possibly evil Master Legend Santos, while blonde, sunny Tella finds comfort in drink and the embraces of various men. A slightly awkward start, with inconsistencies of attitude and setting, rapidly smooths out when they, along with handsome “golden-brown” sailor Julian, flee to Caraval on the eve of Scarlett’s arranged marriage. Tella disappears, and Scarlett must navigate a nighttime world of magic to find her. Caraval delights the senses: beautiful and scary, described in luscious prose, this is a show readers will wish they could enter. Dresses can be purchased for secrets or days of life; clocks can become doors; bridges move: this is an inventive and original circus, laced with an edge of horror. A double love story, one sensual romance and the other sisterly loyalty, anchors the plot, but the real star here is Caraval and its secrets.

Immersive and engaging, despite some flaws, and destined to capture imaginations. (Fantasy. 14 & up)

Pub Date: Jan. 31, 2017

ISBN: 978-1-250-09525-1

Page Count: 416

Publisher: Flatiron Books

Review Posted Online: Sept. 18, 2016

Kirkus Reviews Issue: Oct. 1, 2016

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