Next book

SOME REMARKS

ESSAYS AND OTHER WRITING

A occasionally uneven but mostly engaging assortment from a talented literary mind.

The author of The Baroque Cycle series and works of speculative fiction offers a miscellany of stories and essays, some of classic Stephensonian length.

In a breezy, self-deprecating introduction, Stephenson (Reamde, 2011, etc.) credits (blames?) others for the idea for this collection. The pieces range from mildly hectoring essays of advice (we should move around more) to more learned pieces about the intellectual war between Newton and Leibnitz, to fluff about the differences between “geeking out” and “vegging out.” Stephenson also includes the text of a speech at Gresham College, a revealing interview with Salon and a massively long but massively interesting piece of investigative journalism for Wired, which deals with the history, technology and logistics of the submarine cable industry. The author traveled across the world—and back in time—to explain in ways surely comprehensible to most readers how all of this started, how it works, and what it costs. Although the piece is now dated a bit (as are a number of the others here), the historical significance of his work is sizeable. Readers will emerge from that labyrinthine piece with a more comprehensive understanding of how the Internet works, how information gets from here to there and back again. Stephenson also includes some fiction, including a speculative tale about e-money and a single-sentence beginning to an otherwise-unwritten crime novel set in Middle-earth. In some of the op-ed-like pieces, the author urges more reading, defends his genre against those who disparage it, wonders why we don’t understand religious zealots, and bemoans what he views as a lack of will to pursue the sort of innovation that characterized the era of space exploration. He ends with an explanation and apology for not answering emails from his fans.

A occasionally uneven but mostly engaging assortment from a talented literary mind.

Pub Date: Aug. 7, 2012

ISBN: 978-0-06-202443-5

Page Count: 288

Publisher: Morrow/HarperCollins

Review Posted Online: June 11, 2012

Kirkus Reviews Issue: July 1, 2012

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Next book

TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

Categories:
Close Quickview