A well-reasoned challenge for future American historians to keep Native peoples on center stage.
A wide-ranging study that moves Indigenous peoples from the periphery to the core of continental history.
“Indigenous absence has been a long tradition of American historical analysis,” writes Blackhawk, a professor of history and faculty coordinator for the Yale Group for the Study of Native America. In recent years, this has changed thanks to the efforts of a new generation of historians to count marginalized groups such as women and ethnic minorities in the larger narrative. By the author’s account, American history represents an “epic encounter” between empires, Native and European, each conditioning the other. For example, pressures on the nations of the Iroquois Confederacy by British/American collision with the French Empire in North America pushed Iroquoian peoples into the Ohio River Valley, creating further conflict among Indigenous groups. In his lucid exposition, Blackhawk rightly notes, “while violence was an essential institution of colonialism, it was never enough to achieve permanent goals of empire.” While violence may have secured certain short-term goals, it introduced still more instability into an already unsettled situation that endangered everyone involved. “Once it is initiated,” writes the author, “none can predict its ultimate course.” Blackhawk locates some of the most fraught moments of westward expansion in the years of the Civil War, when a preoccupied Abraham Lincoln left matters of Native policy largely to his generals in the West, advocating instead an abstract program of “assimilation, land cessions, and eventual disappearance.” Violence naturally ensued, with new Native confederations such as alliances of the Sioux and Cheyenne against the U.S. Army leading to Little Big Horn. The author closes with an analysis of the doctrine of “termination,” which attempted to dismantle Native communities, assimilate their members, and steal away their treaty lands, plans that eventually failed. Even today, though, Blackhawk notes that conflict exists as interest groups attempt to erase “the hard-fought gains of the modern sovereignty movement.”
A well-reasoned challenge for future American historians to keep Native peoples on center stage.Pub Date: April 25, 2023
ISBN: 9780300244052
Page Count: 576
Publisher: Yale Univ.
Review Posted Online: Jan. 11, 2023
Kirkus Reviews Issue: Feb. 1, 2023
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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