A boy’s pipe dreams, enhanced and destroyed by modern technology, blossom into creativity and love.
Doesn’t every teenager want to be more chill?
Jeremy feels left out of the high school social scene. He has one male friend (also dorky) and no girlfriend. He records insults he receives from other students on checklists. Then a classmate tells him about the squip, a pill that installs a supercomputer in your brain, guiding you to become cool. Jeremy invests $600 and soon the squip is giving him instructions (in blue speech balloons) and he’s on his way. Jeremy, who has already landed the role of Lysander in the school production of A Midsummer Night’s Dream, starts to change his persona and quickly becomes more successful in the relationship department. Although the squip technology tries to rule the situation, Jeremy and dream girl Christine still manage to keep the human element front and center, with Christine’s insights keeping their relationship grounded and Jeremy expressing his love by writing this book. This graphic adaptation of the popular 2004 novel and later Broadway musical is not as raunchy or humorous as the original, but it tells the same story, and some teens will prefer this format. The illustrations in blue, black, and white are drawn from varying perspectives, and, in an amusing twist, Jeremy’s best friend, Michael, is portrayed as the artist. Most characters are White; Michael is Black.
A boy’s pipe dreams, enhanced and destroyed by modern technology, blossom into creativity and love. (adapter’s note) (Graphic fiction. 14-18)Pub Date: Jan. 5, 2021
ISBN: 978-1-368-05786-8
Page Count: 144
Publisher: Disney-Hyperion
Review Posted Online: Oct. 21, 2020
Kirkus Reviews Issue: Nov. 15, 2020
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
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