The Grimm version is as frightening as a bedtime story gets, but this version will scare people in new ways, and some of...
If this isn’t the definitive edition of “Hansel and Gretel,” it’s absolutely necessary.
It would be easy for readers to believe that Mattotti drew these pictures while listening to a storyteller by firelight, as if he grabbed a piece of charcoal straight out of the ashes, because he needed to draw the characters right away. The truth may be even more amazing. The pictures were inspired by a Metropolitan Opera production of the Humperdinck favorite, and the thick patches of ink contain five different colors, though the effect is of enveloping blackness. The swirling lines look as though they might start moving if seen at just the right moment. The pictures have inspired Gaiman to write some of his most beautiful sentences, direct and horrifying: “If you do not eat,” says the woodcutter’s wife, “then you will not be able to swing an axe. And if you cannot cut down a tree, or haul the wood into the town, then we all starve and die.” The wordless double-page spreads alternate with text-filled spreads, with lines set generously apart and framed by delicate flowers. A deluxe version, about half again as big, features a die-cut cover but is otherwise equally, spectacularly understated.
The Grimm version is as frightening as a bedtime story gets, but this version will scare people in new ways, and some of those people may need to start drawing right away. (historical notes) (Picture book/fairy tale. 7-12)Pub Date: Oct. 1, 2014
ISBN: 978-1-9351-7962-7
Page Count: 56
Publisher: TOON/Candlewick
Review Posted Online: July 15, 2014
Kirkus Reviews Issue: Aug. 1, 2014
Readers can still rely on this series to bring laughs.
The Heffley family’s house undergoes a disastrous attempt at home improvement.
When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.
Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)Pub Date: Nov. 5, 2019
ISBN: 978-1-4197-3903-3
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Nov. 18, 2019
SEEN & HEARD
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...
Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.
Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)Pub Date: Sept. 13, 2016
ISBN: 978-0-545-54061-2
Page Count: 256
Publisher: Scholastic
Review Posted Online: July 1, 2016
Kirkus Reviews Issue: July 15, 2016
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