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PIRATE STEW

Readers may wish that Talk Like a Pirate Day lasted all year long.

This book could serve as a recruiting drive for pirates, mostly because of the hair.

Pirate hair, in Riddell’s illustrations, is glorious. It’s powder blue, or it’s peaked like twin mountains or forms crests like waves in the ocean. More important, the pirates have joyous, irresistible smiles. But the two children who find themselves babysat by these benign buccaneers are still suspicious. The pirates in this picture book don’t follow the rules of ordinary seagoers. When they make their titular stew, the ingredients include “a Jolly Roger” and “half a sack of gold doubloons.” If you eat it, they say, “You’ll become a pirate too!” The artwork also blithely veers from the text. Gaiman says that the chief pirate has gray hair, but in Riddell’s delicately lined cartoons his beard is a bright, cheerful blue, proving that no one should ever trust pirates or artists or children’s-book authors. But it’s hard to be afraid of buccaneers who shout things like “Toodle-pip!” The crew is diverse enough—in wardrobe and in racial presentation—that almost any reader can feel welcome. The children have brown skin and come from an interracial family, with a White mother and a Black father. The rhythm of the rhyming text is instantly catchy, though it’s so dense that a word and its rhyme occasionally become separated when the layout places them on different pages. (This book was reviewed digitally with 9.8-by-15-inch double-page spreads viewed at actual size.)

Readers may wish that Talk Like a Pirate Day lasted all year long. (Picture book. 4-9)

Pub Date: Dec. 1, 2020

ISBN: 978-0-06-293457-4

Page Count: 48

Publisher: Quill Tree Books/HarperCollins

Review Posted Online: Sept. 28, 2020

Kirkus Reviews Issue: Oct. 15, 2020

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HOW TO CATCH A GINGERBREAD MAN

From the How To Catch… series

A brisk if bland offering for series fans, but cleverer metafictive romps abound.

The titular cookie runs off the page at a bookstore storytime, pursued by young listeners and literary characters.

Following on 13 previous How To Catch… escapades, Wallace supplies sometimes-tortured doggerel and Elkerton, a set of helter-skelter cartoon scenes. Here the insouciant narrator scampers through aisles, avoiding a series of elaborate snares set by the racially diverse young storytime audience with help from some classic figures: “Alice and her mad-hat friends, / as a gift for my unbirthday, / helped guide me through the walls of shelves— / now I’m bound to find my way.” The literary helpers don’t look like their conventional or Disney counterparts in the illustrations, but all are clearly identified by at least a broad hint or visual cue, like the unnamed “wizard” who swoops in on a broom to knock over a tower labeled “Frogwarts.” Along with playing a bit fast and loose with details (“Perhaps the boy with the magic beans / saved me with his cow…”) the author discards his original’s lip-smacking climax to have the errant snack circling back at last to his book for a comfier sort of happily-ever-after.

A brisk if bland offering for series fans, but cleverer metafictive romps abound. (Picture book. 6-8)

Pub Date: Aug. 3, 2021

ISBN: 978-1-7282-0935-7

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: July 26, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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A LIBRARY

A lushly illustrated homage to librarians who provide a welcome and a home away from home for all who enter.

A love letter to libraries.

A Black child, with hair in two puffballs tied with yellow ribbons, a blue dress with a Peter Pan collar, and black patent leather Mary Janes, helps Grandmother with the housework, then, at Grandmother’s suggestion, heads to the library. The child’s eagerness to go, with two books under an arm and one in their hand, suggests that this is a favorite destination. The books’ wordless covers emphasize their endless possibilities. The protagonist’s description of the library makes clear that they are always free to be themselves there—whether they feel happy or sad, whether they’re reading mysteries or recipes, and whether they feel “quick and smart” or “contained and cautious.” Robinson’s vibrant, carefully composed digital illustrations, with bright colors that invite readers in and textures and patterns in every image, effectively capture the protagonist’s passion for reading and appreciation for a space where they feel accepted regardless of disposition. In her author’s note, Giovanni states that she spent summers visiting her grandmother in Knoxville, Tennessee, where she went to the Carnegie Branch of the Lawson McGhee Library. She expresses gratitude for Mrs. Long, the librarian, who often traveled to the main library to get books that Giovanni could not find in their segregated branch. (This book was reviewed digitally.)

A lushly illustrated homage to librarians who provide a welcome and a home away from home for all who enter. (Picture book. 4-7)

Pub Date: Sept. 27, 2022

ISBN: 978-0-358-38765-7

Page Count: 32

Publisher: Versify/HarperCollins

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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