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THE FALL OF VENTARIS

BOOK TWO OF THE GREY CITY

A thrilling story of thievery and self-discovery.

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In the second installment of McGarry and Ravipinto’s (Duchess of the Shallows, 2012) fantasy series, a young woman seeks to find balance between her past life as a scholar’s daughter and her new life as a rising star among criminals.

Newly accepted into the Grey, a secret society of thieves, Duchess strikes up a business partnership with Jana, a singularly gifted weaver. Jana has been forced to work on the outskirts of town after being denied entry into the weavers’ guild due to her race, class and outsider status. Duchess is certain that with Jana’s skills and her own connections and unorthodox business savvy, they can build a profitable partnership—but only if Duchess’ calculated scheme to secure Jana’s admittance into the guild is successful. Meanwhile, she also wants to employ the bodyguard services of Pollux, the empress’s former servant and lover, who’s incarcerated for acknowledging his parentage of the empress’ son. As part of an elaborate and hazardous scheme, Duchess plans to break Pollux out of jail by faking his death. As she pursues her plans, Duchess makes a few new enemies along the way. She’s also confronted with the past she left behind as  the daughter of the late hero and scholar Marcus Kell, as she forms a reluctant acquaintance with Darley, a long-forgotten childhood rival and the daughter of her father’s best friend. As she uncovers secrets of days gone by, she feels torn between her well-established life as a cunning thief and clever businesswoman and the very different life she might have had. Readers unfamiliar with the series’ first book may find some details of the world’s social structure to be unclear, but the intricately plotted schemes stand alone in most other respects, and newcomers will likely find them easy to follow. The authors, through their powerful portrayals of strong-willed characters, skillfully examine and confront issues of race, class, gender and sexual orientation in a way that’s rarely, if ever, done in medieval fantasy. In a manner that’s both modern and timeless, they examine the ways that strong women forego niceties to fight for the respect so easily granted to men. Overall, the novel is an engaging account of a young woman’s quest to succeed because of her outsider status, rather than in spite of it.

A thrilling story of thievery and self-discovery.

Pub Date: Sept. 21, 2013

ISBN: 978-0985014919

Page Count: 442

Publisher: Peccable Productions

Review Posted Online: Sept. 27, 2013

Kirkus Reviews Issue: Nov. 1, 2013

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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