Seasoned mystery writer McMahon (Dead Silver, 2008, etc.) steps into a new genre with his first thriller.
Tom Crandall, the scion of a wealthy Los Angeles family, takes a job teaching psychology at a community college. Tom also keeps an eye on his family’s vast business and real-estate holdings, but much of his time goes into preventing his fractious family from throttling one another. It’s his relationship with ne’er-do-well brother Nick that gets him and the rest of the Crandalls into hot water. Nick, a drug-addled 30-something surfer and competitive swimmer who has never made a go of anything but bad relationships, kicks off Tom’s nightmare by calling his brother in the wee hours of the morning and drawing the unsuspecting Tom out to the site of the Crandall family’s Malibu beach home, where Nick totters madly on a cliff before plunging over. After rescuing Nick from the chilly waters, Tom discovers that the incident is connected to recent activity involving his other brother, Paul, who oversees the Crandalls’ business empire. Paul has become entangled with both an extramarital affair and a shadowy company that makes motion pictures. That company has rented the family lodge for use in an upcoming movie. Tom soon suspects there is more to the film company, the production and Paul’s involvement than meets the eye. In the meantime, Tom meets a beautiful actress and discovers a sinister conspiracy involving nano-particles. He digs deeper into the situation only to find his entire belief system challenged, both by betrayals from the ones he loves and from the strange group of people who have entered his life. The writing is first-rate; McMahon can sling words with the best of them. But the weaving of science fiction into the story line is unsatisfying and the characters shallow. While the concept is certainly plausible, the plot is underdeveloped and spare, and the book falls short of being either convincing or compelling. The plot reads as if dashed off to meet a deadline, but the book is somewhat redeemed by decent writing.
Pub Date: Sept. 27, 2011
ISBN: 978-0-06-134078-9
Page Count: 304
Publisher: HarperCollins
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Oct. 1, 2011
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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