edited by Neil Philip & illustrated by Michael McCurdy ‧ RELEASE DATE: Nov. 2, 1996
From the pair behind Singing America (1995), a gathering of a century's worth of stories that defy well-known European fairy tale conventions. In an impassioned afterword, Philip writes, ``One of the defining themes of the American fairy tale is this sense that ordinary life is something the fairy tale hero must learn to value and enjoy, rather than something from which he must escape.'' He includes works by writers such as L. Frank Baum, Nathaniel Hawthorne, and Louisa May Alcott, as well as lesser-knowns (Ruth Plumly Thompson and the anonymous M.S.B., among them), who penetrated the heart of American culture by creating characters who relied on inner strength and discovery rather than other-worldly magic. Glass slippers, castles, and class differences aside, Washington Irving, Howard Pyle, and Carl Sandburg remythologized the traditional stories by asserting that the challenge and bounty of America provided more than enough setting and inspiration. Whether readers recall these stories from English classes or discover them anew, they will see in the texts the promise and potential of an untarnished America. McCurdy's precise black-and- white woodcuts perfectly capture the idiomatic spirit of stories from Kansas to Kalamazoo to Rootabaga Country, and help Philip make the case for the genre that other collections have danced around without naming, the American fairy tale. With a preface by Alison Lurie. (Fiction. 10+)
Pub Date: Nov. 2, 1996
ISBN: 0-7868-0207-3
Page Count: 160
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1996
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by Richard Peck ‧ RELEASE DATE: Oct. 1, 2000
Year-round fun.
Set in 1937 during the so-called “Roosevelt recession,” tight times compel Mary Alice, a Chicago girl, to move in with her grandmother, who lives in a tiny Illinois town so behind the times that it doesn’t “even have a picture show.”
This winning sequel takes place several years after A Long Way From Chicago (1998) leaves off, once again introducing the reader to Mary Alice, now 15, and her Grandma Dowdel, an indomitable, idiosyncratic woman who despite her hard-as-nails exterior is able to see her granddaughter with “eyes in the back of her heart.” Peck’s slice-of-life novel doesn’t have much in the way of a sustained plot; it could almost be a series of short stories strung together, but the narrative never flags, and the book, populated with distinctive, soulful characters who run the gamut from crazy to conventional, holds the reader’s interest throughout. And the vignettes, some involving a persnickety Grandma acting nasty while accomplishing a kindness, others in which she deflates an overblown ego or deals with a petty rivalry, are original and wildly funny. The arena may be a small hick town, but the battle for domination over that tiny turf is fierce, and Grandma Dowdel is a canny player for whom losing isn’t an option. The first-person narration is infused with rich, colorful language—“She was skinnier than a toothpick with termites”—and Mary Alice’s shrewd, prickly observations: “Anybody who thinks small towns are friendlier than big cities lives in a big city.”
Year-round fun. (Fiction. 11-13)Pub Date: Oct. 1, 2000
ISBN: 978-0-8037-2518-8
Page Count: 144
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2000
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by Andrew Clements ‧ RELEASE DATE: Sept. 1, 2002
Playing on his customary theme that children have more on the ball than adults give them credit for, Clements (Big Al and Shrimpy, p. 951, etc.) pairs a smart, unhappy, rich kid and a small-town teacher too quick to judge on appearances. Knowing that he’ll only be finishing up the term at the local public school near his new country home before hieing off to an exclusive academy, Mark makes no special effort to fit in, just sitting in class and staring moodily out the window. This rubs veteran science teacher Bill Maxwell the wrong way, big time, so that even after Mark realizes that he’s being a snot and tries to make amends, all he gets from Mr. Maxwell is the cold shoulder. Matters come to a head during a long-anticipated class camping trip; after Maxwell catches Mark with a forbidden knife (a camp mate’s, as it turns out) and lowers the boom, Mark storms off into the woods. Unaware that Mark is a well-prepared, enthusiastic (if inexperienced) hiker, Maxwell follows carelessly, sure that the “slacker” will be waiting for rescue around the next bend—and breaks his ankle running down a slope. Reconciliation ensues once he hobbles painfully into Mark’s neatly organized camp, and the two make their way back together. This might have some appeal to fans of Gary Paulsen’s or Will Hobbs’s more catastrophic survival tales, but because Clements pauses to explain—at length—everyone’s history, motives, feelings, and mindset, it reads more like a scenario (albeit an empowering one, at least for children) than a story. Worthy—but just as Maxwell underestimates his new student, so too does Clement underestimate his readers’ ability to figure out for themselves what’s going on in each character’s life and head. (Fiction. 10-12)
Pub Date: Sept. 1, 2002
ISBN: 0-689-82596-X
Page Count: 208
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2002
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